Srdjan Beronja – Sounds of the East Music from the Balkans, India & the Middle East (ARC Music EUCD2696, 2017)
When music listeners and explorers gather formally to further their fascination, there are always two or three performers too intense for most ears. One hears whispers in the listening space as those who recognize the act about to begin caution those around them that this may be a time to visit the lobby or concession stand, to go outside to smoke or check messages. “Oh God, this guy will put you to sleep,” or “They’re saying something, but I don’t know what,” one hears from the row ahead or behind. These are the acts that are overwhelming for many.
The truly musically curious, however, remain in the concert space and pay all the more attention, both to the stage and to the other attendees who have remained in their seats. The acts that elicit this preliminary response in the audience are those who separate the fans from the ethnomusicologists. Meet Serbian composer Srdjan Beronja. His label’s press release explains that he “travel[s] to remote locations and records unusual local sounds from desert townships, coastal villages and the dawn chorus high up in trees.” On this CD, these field recordings “from the geographical triangle between India, the Middle East and the Balkans” are used to introduce and provide audio beds for some of the cuts, thus merging the artist’s fascination with natural sounds and his musicianship.
He works with a number of renowned players of instruments typifying tour stops along the way from the Balkans through the Middle East to India and back, with expressive results. This is not a consistent album to be played as background music at a cocktail party or curry house, but more akin to a visit to a good art gallery where a broad spectrum of visual artists is on display.
“Sounds of the East Music from The Balkans, India & The Middle East” is a beautiful collection for collectors.
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Author: Arthur Shuey
Arthur has been reviewing music for publications since 1976 and began focusing almost exclusively on world music in 2012.
His musical background includes past presidencies of the Cape Fear Musicians Association and Blues Society of the Lower Cape Fear, founding membership in nine other blues societies, service on 17 music festival planning committees, two decades of teaching harmonica to individuals and groups, operating a small recording studio and performing solo and in combos for 30 years.
Arthur has written professionally since 1975, pieces ranging from short fiction to travel articles, humor to poetry, mainly for local and regional entertainment media. His blog,” Shuey’s World,” is featured at www.accesswilmington.com.