I will be writing a column on Length & Time in music, in each presenting an album and its strategies that pertain to addressing Length & Time.
Juan Gabriel’s album Con Mariachi Vol. 2 confers Mexican society a variation of traditional spirit that it delights in, this time made fashionably beautiful.
Juan Gabriel is a product of the 20th century whereas Mariachi style of the 19th century. In the 19th century, only the opera singer or the composer was conferred the titles artist, fashionable, beautiful, and could represent a nation. All others were quite simply entertainers.
With the 20th century came both radio and the idea that crowds could decide on the representation of a nation through song, despite the countless songs of the French, American, Haitian, or Mexican revolutions. Mariachi came to represent identity. The 20th century also brought along both prestige for modern art and creatives at marketing and media companies inspired by modern art in the aesthetics of their communication. Juan Gabriel came to represent fashionable beauty.
Gabriel produces 20th century crowd music, for those obsessed with visual beauty, true to 19th century style of music subservient to rituals of fiesta in a society, as opposed to producing them. He does this through his person. Mariachi is wedding music, event music: Gabriel makes good with the idea that is a traditional fiesta, true to old dreams.