Emmanuel Dibango N’Djoké was born on December 12 of 1933 in Duala, Cameroon. Manu Dibango arrived to Europe as a young student. With his extraordinary musical talent and burgeoning love of jazz, the young Manu soon opted for a life devoted to adventure for the musical kind.
With jazz blaring in its every nook and cranny, Paris was the perfect place for Manu to mix, mingle, listen and learn. Manu was introduced to the music of Armstrong, Ellington, Young and Parker and all the multifaceted life of the Parisian jazz-scene.
His first stay in the French capital turned out to be relatively brief. It was a time when African nations were being born, either violently or more or less peacefully and words like “independence” and “afro centricity” were common currency.
The great Kabasele invited Manu to join his band, the African Jazz, to play Congolese music. The invitation was accepted and Manu returned to Africa. A love of jazz on the one hand and traditional African music on the other prompted Manu to experiment by combining various different styles of music to create his own unique blend.
With his inherent curiosity and sensitivity Manu has always been interested in widely divergent and different styles of music. A cursory listen to his output bears this out: jazz, reggae, rap… all these and more are in full effect.
In 1972 Manu scored his first international hit with the million selling “Soul Makossa”, which fared particularly well in the United States of America where it helped to create considerable awareness of African music and break down some prevailing musical prejudices.
Manu discovered a secret pleasure in going against the grain of entrenched ideas about musical purism and traditionalism. His purpose was and still is to build bridges between the continents.
Manu was the fist-mover in what became a deep-rooted relationship between the music of francophone Africa and Paris. He has recorded and released numerous albums. Today, as well as touring in the world, he spends considerable time supporting and encouraging young musicians and fighting humanitarian causes.
Soul Makossa (Fiesta Records, 1972)
O Boso (London/PolyGram Records, 1973)
Makossa Man (Atlantic Records, 1974)
Makossa Music (Creole Records, 1975)
Manu 76 (Decca Records, 1976)
Super Kumba (Decca Records, 1976)
The World of Manu Dibango (Decca Records, 1976)
Ceddo O.S.T (Fiesta Records, 1977)
A l’Olympia (Fiesta Records, 1978)
Afrovision (Mango/Island Records, 1978)
Sun Explosion (Decca Records, 1978)
Gone Clear (Mango/Island Records, 1980)
Ambassador (Mango/Island Records, 1981)
Waka Juju (Polydor/PolyGram Records, 1982)
Mboa (Sonodisc/Afrovision, 1982)
Electric Africa (Celluloid, 1985)
Afrijazzy (Soul Paris, 1986)
Deliverance (Afro Rhythmes, 1989)
Happy Feeling (Stern’s Music, 1989)
Rasta Souvenir (Disque Esperance, 1989)
Live ’91 (Stern’s Music, 1994)
Wakafrika (Giant/Warner Bros. Records, 1994)
Lamastabastani (Soul Paris, 1994)
Bao Bao (Movieplay, 1996)
African Soul – The Very Best Of (Mercury, 1997)
CubAfrica, with Eliades Ochoa (Corason Records, 1998)
Africavision, Vol. 3: The Cinema of Manu Dibango (Buda Musique, 2003)
The Rough Guide to Manu Dibango (World Music Network, 2004)
African Woodoo (2008)
Afro Funk (2010)
Afro Soul Machine (2011)
Past Present Future (2011)
Ballad Emotion (2011)
Africa Boogie (2013)
Aloko Party (2013)
Lagos Go Slow (2013)
Balade En Saxo (2013)
Author: Angel Romero
Angel Romero y Ruiz has been writing about world music music for many years. He founded the websites worldmusiccentral.org and musicasdelmundo.com. Angel produced several TV specials for Metropolis (TVE) and co-produced “Musica NA”, a music show for Televisión Española (TVE) in Spain that featured an eclectic mix of world music, fusion, electronica, new age and contemporary classical music. Angel also produced and remastered world music albums, compilations and boxed sets for Alula Records, Ellipsis Arts, Music of the World.