Ian Melrose was born in Middlesbrough, England. As a youth he moved back to Ayr in Scotland with his Scottish parents and younger brother Ian’s father was/is a member of the Scottish fiddle orchestra so traditional music was always present. His early influences were the famous figures from the “British school of guitar-playing” i.e. Davey Graham, John Renbourn, Bert Jansch, and John Martyn.
After doing a degree in Law and German at Keele University he moved to Berlin in 1981 where he started doing solo work. In 1982 he founded Twilight, an acoustic folk-jazz trio which thanks to the unusual arrangements was winner of the 1985 folk group competition at the Edinburgh folk festival. A record deal with the Scottish company LISMOR followed.
As a founder member of the German folk-pop band Be Mine Or Run and as guitarist and arranger with the Celtic project Norland Wind (featuring Thomas Loefke and Kerstin Blodig) he has made a name for himself on the German acoustic scene. He has done extensive tours of Germany Holland and Norway and has done studio jobs for many well-known artists. A tour through Germany in 1996 with Norland Wind brought the contact to Noel & Padraig Duggan of Clannad, who in turn suggested Ian for the job of lead guitarist with Clannad for the May tour of Ireland, Great Britain and Holland. They were obviously pleased with him and offered him the rest of the “World Tour ’96” which included Australia, New Zealand, and Japan.
You can hear Ian playing on the Clannad album Landmarks. In his solo concerts Ian plays pieces from his critically acclaimed album Wolves and from his album Between the Sighs. His guitar compositions show a strong leaning towards his “Celtic roots” where elements of Irish & Scottish dance tunes and ballads mix easily with South-American rhythms and jazz harmonies.
Singer and harp player Gwenan Gibbard is a talent musician, part of the Welsh folk scene. Her debut album Y Gwenith Gwynnaf features freshly-wrought arrangements of traditional dance-tunes, airs, ballads and poetry.
Ged (pronounced “Jed”) was born in County Durham in the North East of England. Ged is a superb guitarist, a singer of distinction with a spare, unornamented style and a player of both the fiddle and the Northumbrian smallpipes.
A one-time member of Scotland’s The Battlefield Band and a founding member of The House Band, Ged also worked in a duo with the excellent English singer/songwriter Jez Lowe. He replaced originalPatrick Street member Arty McGlynn in 1996, and joined the Celtic Fiddle Festival after an initial tour with the band in 2001. He lives in the USA.
Dr. Jyotsna Srikanth started learning Carnatic music from her mother Smt. Rathna Srikantiah from the age of five. She then learned violin under Late Sri R.R Keshavamurthy the legendary seven stringed violinist. She gave her first performance at the age of nine. She is an all rounder who has given numerous Carnatic solo concerts jugalbandhi concerts jazz – fusion concerts apart from accompanying most of the stalwarts in Carnatic Music. Her violin playing has a nice blend of bhava [musical expression and emotion] & technique. She has been featured in all major festivals in India globally. She has received many awards & titles at National & International levels.
She is also an accomplished western classical violinist too. Jyotsna has played violin for nearly 2 commercial Indian films. She has composed music for teleserials dance ballets & albums.
She is a medical doctor a post graduate in Pathology. She is now into music completely & is presently based in London. Her workshops on Indian/Western violin techniques & Indian/Western Music – comparisons have been well received.
She has a fusion band of her own which performs contemporary Indian music. In her release with Times Music called Fusion Dreams she played violin in eight different styles.
Life (Earthnbeat, 2007)
Fusion Dreams (2008)
Insight (Fountain Music, 2008)
Carnatic Jazz (Swathi Sanskriti, 2011)
Chants for Children (Theme Musik, 2011)
Carnatic Lounge (Times Music, 2011)
Call of Bangalore (Riverboat, 2013)
Dalla was formed by Neil Davey and Hilary Coleman towards the end of 1999 and combines members of the two families who have been integral to reviving interest in traditional music from Cornwall.
Neil Davey and his three brothers started in the 1970s with the band Bucca and their album was released on Plant Life Records. They went on to other bands and started traditional dance groups that have proliferated throughout Cornwall.
Hilary Coleman and her family have worked with community groups to organize festivals and traditional celebrations. She has reintroduced the clarinet into Cornish music and her brother Will Coleman is responsible for encouraging Cornish bagpipe music. Hillary continues to play a key role in Cornish music affairs as a performer a composer a promoter of Cornish language through music and as an organizer of many events raising the profile of local traditional music in Cornwall.
Dalla often perform for dancers and Noze Looan, a recent development in Cornish dancing similar to the Breton Fest Noz and inspired by a sound tradition and a sense of fun. As an alternative to a Troyl (Cornish ceilidh or barn dance) it provides an evening of dances that are accessible enough not to need a caller. You can join in a dance if and when you like and just pick it up as you go along by watching others.
Cornwall is a small Celtic land (roughly the size of Luxembourg or Brunei) jutting out into the Atlantic ocean halfway between Ireland and Brittany. It is a small land with a great history. A history with its roots firmly in Celtic culture but also an extremely cosmopolitan history buzzing with a host of other influences due to ancient maritime links with and waves of emigration to and from all parts of the world.
When you see Dalla live you will see three of Cornwall’s foremost traditional musicians playing Cornish Celtic / World music on an array of instruments including clarinet, bouzouki, fiddle, guitar, accordion and percussion with songs in Cornish (a Celtic language similar to Breton and Welsh) and in English. Some of the material is old some new and all of it is Cornish. Outside influences can undoubtedly be heard in Dalla’s music however and this is as much a product of Cornwall’s own rich cosmopolitan history as it is of the diverse backgrounds and adventurousness of the individual members.
Dalla are frequently joined on stage by Bec Applebee who adds backing vocals and percussion. At larger events Pete Kubrick-Townsend joins in on bass and there is also often the added visual spectacle of display dancers doing slick pieces specially choreographed for Dalla’s music using traditional Cornish steps.
Cathal McConnell is known and respected all over the world for his masterful flute playing and singing, solo as well as with his band, Boys of the Lough and for the enormous number of tunes and songs he has stored in his head over a lifetime in music. A co-founder of the band and a member for nearly thirty years, Cathal and the Boys Of The Lough have performed in major concert halls throughout the world and have recorded nearly twenty albums.
Born in Co. Fermanagh, in Northern Ireland, he won All-Ireland Championships in both flute and tin whistle at the age of 18. Five years later he started touring with the first incarnation of the Boys of the Lough and has been with them ever since as instrumentalist and lead singer. He has become well known over the years as a true virtuoso of the flute and pennywhistle.
The Boys of the Lough (Trailer Records, 1973)
Second Album (Trailer Records, 1973)
Live at Passim’s (Philo Records, 1974)
Lochaber No More (Philo Records, 1976)
The Piper’s Broken Finger (Transatlantic Records, 1976)
An Irish Jubilee (Topic Records, 1976)
Good Friends … Good Music (Transatlantic Records, 1977)
On Lough Erne’s Shore (Topic Records, 1978)
Wish You Were Here (Transatlantic Records, 1978)
Regrouped (Flying Fish, 198)
In the Tradition (Topic Records, 1981)
Open Road (Topic Records, 1983) To Welcome Paddy Home (Philo Records, 1985)
Far From Home – Live (Shanachie Records, 1986) Farewell and Remember Me (Shanachie Records, 1987) Sweet Rural Shade (Shanachie Records, 1988) Live at Carnegie Hall (1992)
The Fair Hills of Ireland (Lough Records, 1992)
The Day Dawn (Lough Records, 1994) Midwinter Night’s Dream (Blix Street Records, 1996) The West of Ireland (Lough Records, 1999) Long Expectant Comes at Last (2000)
Lonesome Blues and Dancing Shoes (Lough Records, 2002)
Twenty (Lough Records, 2005) Rising Fawn Gathering, with Norman Blake (Western Jubilee Recording Company/Plectrafone Records, 2009) Good Friends – Good Music (Rounder, 2009)
The Imagined Village is a project led by Grammy Award winning musician and producer Simon Emmerson. Simon is also a founding member of the groundbreaking Afro Celt Sound System.
‘After travelling the world as a producer and musician I thought it was time explore my own roots,’ said Simon, ’to look at the earth under my feet, dig the dirt of the homelands.’
The Imagined Village was created in 2007 and brought together a set of remarkable voices, and set them in a musical framework that honors the past while updating it with splendid new arrangements. The Imagined Village intertwines fiddles and accordion with electronica and ambient effects.
The line-up on the first album, The Imagined Village, included Benjamin Zephaniah, Billy Bragg, Chris Wood, Eliza Carthy, Johnny Kalsi, Martin Carthy, Paul Weller, Sheila Chandra, Simon Emmerson, The Copper Family, The Gloworms, Tiger Moth, Transglobal Underground, and Tunng.
‘Cold Haily Rainy Night’ from the The Imagined Village album won the ‘Best Traditional Song’ category at the BBC Radio 2 Folk Awards 2008.
The band’s second album, Empire & Love was released on ECC Records in January 2010.
‘Englishness is the final frontier of world music,’ said Simon Emmerson about this project.
The String Sisters is a collaboration of the Celtic and Nordic music world’s top female fiddlers: Annbjørg Lien from Norway; Catriona Macdonald from Shetland; Liz Carroll and Liz Knowles from the United States of America; Mairead ni Mhaonaigh (Altan) from Ireland; and Emma Härdelin from Sweden.
The String Sisters began at Celtic Connections in January of 2001, when Catriona Macdonald saw one of her dreams become a reality by assembling some of the world’s top leading female fiddlers. Colin Hynd at Celtic Connections grabbed the chance to premiere the event at his festival, and the experience was nothing short of earth shattering for all who participated. The Glasgow concert was a great success and the project was rebooked for the following year. However, despite the repeated success, the Sisters were not since been able to reunite prior to undertaking a grand tour of Norway in 2005.
During the winter of 2005, the sisters went on tour in Norway, in cooperation with the Norwegian National Concerts, and Grappa Music Group. The tour was Annbjørg Lien’s initiative.
A live album and DVD recorded in Norway, titled Live, was released in 2007. The String Sisters were joined by David Milligan on piano, Conrad Ivitsky on double bass, Tore Bruvoll on guitar, and James Mackintosh on drums and percussion.
Steel Pulse was formed in 1975 in the UK with a firm commitment to fighting injustice, educating the masses, and promoting positive messages through spiritually uplifting music.
Probably the UK’s most highly-regarded roots reggae act, Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and featured David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).
However, it is Hinds who, as songwriter, has always been the foundation of Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards. Formed in 1975, their debut release, ‘Kibudu, Mansetta And Abuku” arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with ‘Nyah Love’ for Anchor.
Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism 1 organization, they chose to tour instead with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: “Punks had a way of enjoying themselves – throw hordes at you, beer, spit at you, that kind of thing“.
Eventually they found a more natural home in support slots for Burning Spear, that brought them to the attention of Island Records. Their first release for Island was the ‘Ku Klux Klan’ 45 rpm, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage.
By this time their band had swelled to include Selwyn ‘Bumbo’ Brown (keyboards), Steve ‘Grizzly’ Nesbitt (drums), Fonso Martin (vocals, percussion) and Michael Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British reggae.
However, despite critical and moderate commercial success over three albums, the relationship with Island had soured by the time Caught You (released in the US as Reggae Fever) came out. They switched to Elektra, and revealed their most consistent collection of songs since their debut with True Democracy, distinguished by the Garvey eulogizing ‘Rally Around’ cut.
A further definitive set arrived in Earth Crisis. Unfortunately, Elektra tried to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae style of Eddy Grant. Babylon the Bandit was consequently weakened, but did contain the anthemic ‘Not King james Version’, which was a powerful indictment on the omission of black people and history from certain versions of the Bible. Babylon the Bandit won the Best Reggae Band Grammy award.
Their next recording was State of Emergency (MCA), which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums.
Spike Lee met Steel Pulse at the group’s fund raising concert in Washington DC for the Jamaican victims of 1988’s Hurricane Gilbert. This resulted in David’s composition ‘Can’t Stand it’ featuring in Lee’s Do the Right Thing movie soundtrack.
Rastafari Centennial was recorded live at the Elysee Montmartre in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Fonso Martin, leaving the trio of David Hinds, Steve Nisbett and Selwyn Brown.
In the United States their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show.
Their profile was raised further when, in 1992, the band filed a $1 million class action lawsuit against New York City’s Taxi & Limousine Commission. The group charged that cabbies refused to pick up blacks and Rastafarians throughout the streets of New York. This lawsuit initiated a video, Taxi Driver, with a supporting cast that included the Reverend Al Sharpton, Jay Leno, Branford Marsalis, C. Thomas Howell, Robert Townsend and the late Tony Johnson, the inspiration behind Sunsplash.
“We just can’t ignore the politics, because every life and soul that’s born on this earth is a political maneuver for someone, at some stage“, Hinds explained. “From a spiritual aspect, it’s really an upliftment through facing reality – what’s out there. We deal with positive spirits. It means putting aside the guns, the drugs and all of the things that are ailments of society – especially the black communities right now“.
In 1993, at the request of the Clinton Administration, Steel Pulse became the first reggae band ever to perform during the inaugural festivities in Washington DC.
The following year, the group headlined large-scale music events including the US Reggae Sunsplash Tour, Japanslpash, Northern California’s Reggae on the River Festival and embarked on a successful tour of South America.
1995 saw an extensive Caribbean tour followed by an appearance in January 1996 at the prestigious Hollywood Rock Festivals in Rio de Janeiro and Sao Paulo which featured Page and Plant, The Cure, Smashing Pumpkins and Aswad amongst others. Later that year Steel Pulse released their derivative best of album titled Rastanthology and followed this up in 1997, with the Grammy nominated, Rage and Fury album.
Extensive worldwide touring throughout the remainder of that year and 1998 included shows at MTV’s Boardaid in California and the environmental Waterman’s Ball in Los Angeles. December ’98 saw the return to Africa for the first time in fifteen years when they played the Ivory Coast. Hind’s notes “//it was a tremendous sight to behold and the ecstatic moral boost to our existence was so energizing//”.
For 1999, the group was headliner for the world-wide Spirit of Unity Tour and in August 1999 released a second live album titled Living Legacy (Tuff Gong international) that was recorded Live in Paris, Holland and Puerto Rico.
From Birmingham, England, singer Pato Banton is one of the modern stars of reggae. In a career that included a spiritual sabbatical, he returned to the stage with renewed commitment in 2005.
Patrick Murray was born in London in 1961, and moved to Birmingham when he was 8 years old. Pato’s stepfather (Lester Daley) was a DJ recently arrived from Jamaica and the house in which they lived became the weekend night hotspot for the local community.
Banton’s distinctive vocal approach first caught public attention through his work with the English Beat, including his 1982 duet with Ranking Roger, “Pato and Roger a Go Talk.” He made a guest appearance on UB40’s 1985 album, “Baggariddim.” The next year he released his own album produced by Mad Professor: “Mad Professor Captures Pato Banton.” He later had a hit with his version of the Police’s “Spirits in the Material World,” and collaborated with Steel Pulse’s Justin Hinds on “Wize Up!” in 1990.
Pato Banton says, “From ‘Never Give In’ to ‘Life Is A Miracle’ my main goal has always been to spread truth, beauty and goodness through reggae music. I have been blessed with the gift of Revelation, seen and been a part of many miracles, but nothing compares to the beautiful personalities I’ve met along the way. As I approach the final chapter of my musical journey on Planet Earth (Urantia), my only desire is to serve Divinity through humanity. And to all my brothers and sisters who are striving to achieve their goals in this age of materiality, my message is… Stay Positive & Never Give In!”