Emily Burridge works internationally as a cellist (she started playing the cello at the age of five), singer, composer and producer. She usually collaborates with renowned artists in the alternative musics, such as for example Gandalf, who plays in Footsteps in the Sand, together with other musicians. Emily also works in soundtracks, and keeps an intense activity with respect to concerts. Her voyages and contacts with the native cultures of South America have made her into a woman who is concerned with the cultural preservation of minorities, and have provided her with an unusual artistic background.
Footsteps in the Sand is Emily Burridge’s second CD release. The album evolved from the personal experiences of Emily when she was living on the North East coast of Brazil. Seeking out tradition and armed with her portable digital recorder, she traveled on local buses to isolated places and visited rural communities. She recorded both tribal groups and individuals singing chants and songs. From these people she discovered a folkloric world, rich in musical diversity.
Produced in studios in Brazil, Austria & England, Footsteps in the Sand features musicians from all these countries. In her music, Emily is capable of gathering, in a truly spontaneous way, elements derived from her Classical upbringing, together with those coming from the ethnic musics she has lived with. Blending her vocals and sonorous ‘cello with percussion and classical harmonies, together with the aforementioned location recordings, she has created in sound a virtual Brazilian environment.
Emily Burridge’s music crosses over into various genres, including New Age, Classical, world music, and ambient.
In recent years she has collaborated with guitarist BJ Cole in a series of albums with crossover duos for pedal steel guitar and cello.
Earth Songs (White Horse World Music 1994, remastered in 24)
Footsteps in the Sand (White Horse World Music, 2004)
Bridge between Worlds (White Horse World Music, 2006
Composer, arranger, producer, multi-instrumentalist and singer, Pedro Aznar is one of the most prestigious and respected artists to emerge from South America in recent times.
His far-reaching experience includes being a founding member of Seru Giran, one of the most influential rock (classic rock, progressive rock) groups in Argentina, and his three-time Grammy Award winning work with the internationally acclaimed Pat Metheny Group. He’s also a celebrated pop singer.
The writer of several movie scores, he has also published a book of poetry, Pruebas de Fuego Ordeals by Fire.
Pedro’s virtuoso bass playing and unmistakable vocal style, explores the roots of Argentine and South American music from a broad base, as respectful of old traditions as it is open to new directions.
On his 2006 recording, A Roar of Southern Clouds, Pedro Aznar led the listener on a journey through a rich musical tradition ranging across three continents: the ancestral song of the Andean peoples, the rhythmic legacy of Africa, and the European musical heritage, all seen through a contemporary prism with many facets.
Pedro worked with David Lebón in 2007, releasing an album titled Aznar-Lebón. That same year he was appointed as Musical Director of Estudio Urbano, the first institution to teach all things related to the music industry, with free of charge access to all courses and facilities. He also co-produced with Shakira two songs for the Love in the Time of Cholera soundtrack. The film is based on the novel by the same name by Gabriel García Márquez.
Also in 2007, Aznar performed “Canterurías”, by Chabuca Granda, for “Folklore por los chicos”, a benefit album for Garrahan Pediatric Hospital .
In 2008 Aznar recorded and co-produced with Roger Waters a song for the Alas Foundation, a not-for-profit organization created to improve education, nutrition and health programs for Latin American children. The recording also features Gustavo Cerati and various guest artists.
Aznar won the Gardel Award in 2008 the Sound Engineering category for the Aznar-Lebon album, with Ariel Lavigna and Andrés Mayo.
He formed a new band that same year with Federico Dannemann and Julián Semprini, and played a concert at Alas – The concert for children. The festival, which took place in Buenos Aires and Mexico City simultaneously, was heard live by over 400,000 people, and seen on TV by 200 million. The featured artists were, among others: Shakira, Alejandro Sanz, Gustavo Cerati, Ricky Martin, Calle 13, Fito Páez and Jorge Drexler.
Quebrado, a double album featuring new songs written by Aznar, came out in 2008 with pieces by Pedro and versions of songs by some of his favorite songwriters.
Aznar composed music for the film No mires para abajo (Don’t Look Down), by Eliseo Subiela.
He presented his book Pruebas de Fuego at the 2008 Santiago de Chile Book Fair, mixing poetry reading with songs.
In 2009 he records with Mercedes Sosa (who died later that year), Suna Rocha, Aca Seca, Power 3, Gabo Ferro, Cuban singer Haydée Milanés, Spanish Basque musician Kepa Junkera and Brazilian singer-songwriter Paulinho Moska.
Aznar won three Gardel Awards for his album Quebrado, in the categories Best Male Pop Singer, Production of the Year and Sound Engineering (the latter, with Ariel Lavigna and Andrés Mayo). The album also reached Gold Record status.
Quebrado Vivo, a live double album recorded at Teatro Coliseo, Buenos Aires, was released on CD and DVD.
Aznar published in 2009 his second book of poetry, Dos pasajes a la noche, presenting it at the Buenos Aires International Book Fair and the Santiago de Chile International Book Fair, alternating poetry reading with songs.
Gustavo Santaolalla has been a force in Latin American music since the 1960s. He is one of a small group of musicians who created the hugely popular “Argentine Rock” movement, which included very creative bands that played progressive rock, jazz fusion, and other genres, sometimes combined with Latin American melodies and rhythms.
Santaolalla’s professional music career started in 1967 at the age of 16, when he founded the seminal group Arco Iris, making history as the pioneer in the fusion of rock and Latin American folk. Santaolalla’s work as bandleader (Arco Iris, Soluna, Wet Picnic); solo artist (Santaolalla, GAS, Ronroco); and record producer (Cafe Tacuba, Kronos Quartet) showcases his expertise in a wide variety of other musical styles.
For a few years, Santaolla lived between Buenos Aires and Los Angeles. Eventually, he settled in Los Angeles in the 1980s.
He has since become the most important name in Latin Alternative music in North America, having won Grammy awardss for his work with Cafe Tacuba and Juanes and has also produced critical and commercial successes for million-selling Mexican group Molotov, as well as Julieta Venegas, Maldita Vecindad, Caifanes, Leon Gieco, Los Prisioneros and Divididos, amongst others.
After the launching of his label Surco, he also played a major role in producing music for his label’s roster of artists, including Bersuit, Erica Garcia, Arbol and La Vela Puerca. Gustavo later entered the world of film music by scoring the music and producing the soundtrack for the Oscar-nominated and Cannes Film Festival-winning film Amores Perros, and again teamed up with Amores Perros director Alejandro Gonzalez Izarritu to work on his film, 21 Grams. Since then, he has composed numerous scores for film, TV and video games.
Santaolalla is the producer of Carnabailito, by Gaby Kerpel, the third Nonesuch project with which he has been involved. Proving once again his versatility, Santaolalla co-produced Kronos Quartet’s Nuevo, which pays homage to the rich musical styles of Mexico.
Gustavo Santaolalla’s musical style fuses rock, soul, African rhythms, and Latin American folk.
Sebastián Dominguez Lozano, better known as Chano Domínguez, was born in Cadiz on March 29, 1960. His father was a flamenco enthusiast and young Chano grew up listening to his father’s LPs.
When he was eight years old, Chano’s parents gave him his first instrument: a flamenco guitar. Chano was able to teach himself to play guitar and practiced everything that he had heard on his father’s flamenco records so that he could jam with his friends in the neighborhood.
Chano started playing keyboards with Cai, one of the best rock bands in Andalusia. This group from Cadiz fused traditional Andalusian roots music, including flamenco, with progressive rock. The young keyboardist’s impressive solos and improvisations foretold a promising future. Cai released three landmark albums: Más allá de nuestras mentes diminutas (1978), Noche abierta (1979) and Canción de Primavera (1980).
After Cai’s breakup early in the 1980s, Chano became part of a jazz group called Hixcadix that was also made up of musicians from Cadiz.
In 1992, he decided to form his own trio. Chano led the group with his personal style, fusing flamenco rhythms with the musical forms of jazz. That same year, he was awarded First Prize in the National Jazz Competition for Young Performers and he released his first two records: Chano and Diez de Paco (Paco’s Ten).
In 1995, he produced Coplas de Madrugá (Morning Songs) with acclaimed Spanish singer Martirio. This work covers some of the most important themes in traditional Spanish song and treats them with a genuine jazz aesthetic.
Once Chano established himself as one of the great names in Spanish jazz, his fame spread beyond Spain’s borders. His earthy jazz, Latin, and flamenco sounds were heard by an international audience, thanks to records such as Hecho a mano, Directo a piano solo and Imán, as well as his participation at MIDEM Latino and other famous festivals and conferences.
In 2000 Chano participated in Siegfried Loch’s Jazzpaña II. This project brought jazz and flamenco together. In the summer of 2000 Chano and other Flamenco and jazz luminaries came together at Madrid’s Sonoland Studio. The musicians included bassist Carles Benavent, saxophonist Jorge Pardo, flamenco guitarist Gerardo Nuñez, drummer and percussionist Tino Di Geraldo, celebrated Spanish bebop alto and soprano saxophonist Perico Sambeat, Franco-Spanish bassist Renaud Garcia-Fons, singer Esperanza Fernandez and Chano on piano.
After his successful appearance in the Plaza de La Habana Jazz Festival, and having rubbed shoulders with the best in Latin jazz for the movie and recording Calle 54, the pianist from Cadiz recorded a collection of unforgettable boleros with Marta Valdés for his disk, Tú no sospechas.
In 2005 Chano recorded his first children’s CD. Cuentos del mundo (World Tales) features 16 stories narrated by Constantino Romero and music by Chano.
Chano joined Cuban legend Paquito D’Rivera in 2006. Their performance at Madrid’s Teatro Real was released on DVD. The band included Chano on piano; Paquito D’Rivera on saxophones and clarinet; Angá Díaz on percussion; Marc Miralta on drums; Mario Rossy on double bass; and Israel Suárez “Piraña” on flamenco percussion.
In 2010 Chano collaborated with film director Carlos Saura’s Flamenco Hoy. The show featured musical direction by Chano, choreography by Rafael Estévez and Nani Paños and a cast of 20.
In 2016 he produced “Bendito” featuring Chano as composer and pianist with his favorite ‘cantaor‘ (flamenco singer) Blas Cordoba (a.k.a. “El Kejio”).
Chano is also an experienced educator, available for master classes, workshops and residencies. He has taught at Taller de Músics in Barcelona, The Music Conservatory of Bogotá, the Julliard School in New York and at the School of Music at the University of Washington.
In 2016, Chano moved to New York City.
* Más allá de nuestras mentes diminutas, with Cai (Trova Records, 1978)
Bjørn Ole Rasch was born on July 28, 1959 in Elverum, Norway. He started playing classical piano at the age of 7. His mother was a proficient piano player and gave him his first lessons. After 8 years of classical music studies, Bjørn purchased his first synthesizer. From then, his interest was headed towards composing, arranging and keyboard programming.
At 19, Bjørn was given the opportunity to score the music to a theater play called “Manndattera og Kjerringdattera”(a fairytale from Norway). This led to 4-5 years focusing on composing for theater. He wrote the score to three ballets and three theater plays during this period, among them the critically praised “The Hobbitt.
Bjørn Ole Rasch became a member of two important groups in the Norwegian secne. First there was Boys Voice, which was a progressive rock group using spacey elements. They made one album in 1984. The second group was EtCetera, a jazz/folk group from Molde, Norway. They made one album in 1985 that was much-admired. The same period was full of session work.
Recognizing that he wanted to be a full-time musician, Bjørn became a student at The Music Conservatory in Kristiansand, Norway. In 1988 he became a soloist with the Oslo Philharmonic Orchestra, performing Kjell Markussen´s “Morning Glory,” a symphonic poem written for synthesizer and electric guitar.
After spending 5 years at the Conservatory, his life outside school had really become time-consuming due to session work, touring and composing. He recorded and toured with Norwegian artists Jahn Teigen, Sigvart Dagsland, Jørn Hoel, Finn Kalvik, Rolf Løvland, Pål Thowsen, Tor Endresen and others. He also participated in an Australian tour with American singer Randy Crawford and a recording with The Chieftains from Ireland.
Next, after completing his formal education at the conservatory, Bjørn formed his own group along with two folk musicians from Lappland in the north of Norway: “Orbina”. They made a self-titled CD in 1992. This was his first time working with real folk music and-instruments in the world music scene. That same year he started working with Norwegian singer Sissel Kyrkjebø.
The Sissel Kyrkjebø group included several members of the Norwegian group Lava. They became official Olympic musicians under the LOOC-banner in 1993, leading to frequent touring worldwide promoting the Winter Olympics at Lillehammer, Norway. They recorded the CD “Innerst i Sjelen” with Sissel that sold 600.000 copies worldwide. When Sissel and the group went to China in 1994 Bjørn Ole met the Norwegian folk group Bukkene Bruse. Shortly after, he started working with them both as a musician and arranger.
Bukkene Bruse recorded the Åre album in 1995 that attracted a lot of attention in the world music scene. Bjørn’s interest in world music led to a collaboration with celebrated Norwegian hardanger fiddle player Annbjørg Lien. He produced, arranged and co-composed her album Prisme in 1996. The album was released in USA, Taiwan and most of Europe. In the middle of all this, Bjørn Ole took his Master degree in music at the Faculty of Rhythmic Music in Copenhagen, Denmark.
In 1995, Bjørn Ole started to work with a project featuring musicians from Norway and Ireland called Secret Garden. Their first single “Nocturne” won The Eurovision Song Contest 1996 in Ireland and the same year they released the CD “Songs from a secret garden“. Since then, Bjørn Ole has been working on all their albums both as arranger and musician. The group has worldwide sales over 2.5 million.
In 1998, Bjørn Ole became a member of Bukkene Bruse. The same year the band released the CD “Steinstolen”. In 1998, he started working with prominent Norwegian folk musicians Kirsten Bråthen Berg, Hallvard Bjørgum, Hans Fredrik Jacobsen and Sondre Bratland.
In 1999 Bjørn Ole became an official ambassador for the relief organization “Save the Children” together with Bukkene Bruse. In 1999 the Annbjørg Lien album “Baba Yaga” was released in Europe and the USA. The album was produced, arranged and co-written by Bjørn Ole. That same year Bukkene Bruse was awarded the influential Prøysenprisen in Norway. Also in 1999, Bjørn Ole and Annbjørg Lien wrote the music for the theater play “Stalu Bursa”.
He has been working as an associate professor at The Faculty of Fine Arts in Kristiansand since 1994. In 2002, Bjørn Ole released three new albums as a producer, arranger and musician. First, the album “Den Fagraste Rosa” with Bukkene Bruse. Next, the Annbjørg Lien album “Aliens Alive” and finally “Orbina II”, the follow-up album with his group Orbina based in Kautokeino, Norway.
Etcetera, with Etcetera (HotClub Records, 1985)
Boys Voice, with Boys Voice (Spider Records, 1985)
Orbina, with Orbina (Idut Records, 1993) Åre, with Bukkene Bruse (Grappa Records, 1995) Steinstolen/ The Stone Chair, with Bukkene Bruse (Grappa Records, 1998) Den Fagraste Rosa, with Bukkene Bruse (Grappa Records, 2001)
The Hobbit Suiteh (Abbibo Records, 2002)
“Orbina II, with Orbina (Dat Records, 2002)
40, with Annbjørg Lien (Galleri Biz, 2002) Spel, with Bukkene Bruse (Grappa Records. 2004)
Emma, with Annbjørg Lien (Agder Teater Records, 2005)
Roquebrune, with Annbjørg Lien (Galleri Biz, 2008) Come Home, with Annbjørg Lien (Grappa Records, 2009)