The Neville Family is a gifted musical and creative family in the United States. Ivan Neville began absorbing the musical attitudes of his family at birth and learned to play keyboards guitar bass and drums.
It wasn’t long before he became a pivotal member of Bonnie Raitt’s band Rufus Keith Richards & the Xpensive Winos and the Spin Doctors.
Ivan launched his solo career with the acclaimed If My Ancestors Could See Me Now and Thanks. Ivan also wroteand co-produced Saturday Morning Music which includes a timeless hybrid of soul, rock and New Orleans Funk that translates into an incomparable modern musical gumbo.
New Orleans pianist and vocalist Henry Butler is a virtuoso jazz, blues and r&b pianist, a schooled vocalist naturally imbued with gospel credibility a fierce r&b performer and an expressive composer. “Once I sit at the keyboard it’s right there,” says Butler “I have an instrument on which I can express anything I want.” Calling himself a perpetual “work in progress “ Butler is a classically trained vocalist a critically lauded jazz recording artist and an accomplished photographer (all the more stunning considering Butler has been blind since infancy).
Born in the musical hotbed of New Orleans, Louisiana, Butler was attracted to piano at a very young age. By the time he was seven he had joined the glee club at the Louisiana School for the Blind where he was already studying piano. He was gigging by the time he was 14 and went on to study voice in high school.
Butler attended Southern University in Baton Rouge where he fell under the spell of jazz giant Alvin Batiste who quickly became Butler’s mentor. Batiste taught Butler the importance of playing what’s in the mind’s eye to improvise. With Batiste’s help Butler began adding the jazz legacy of Art Tatum Bud Powell Charlie Parker and John Coltrane to the Crescent City r&b he’d absorbed from Eddie Bo Tommy Ridgley James Booker and Professor Longhair.
After graduating from college Butler plunged into performing around New Orleans playing his own mix of jazz and r&b. He went on to earn a master’s degree from Michigan State University before returning to New Orleans in 1974 where he began gigging with every important jazz and r&b musician in the city. While teaching at the New Orleans Center for the Creative Arts Butler spent a few very intense afternoons in the living room of Professor Longhair learning Fess’ shuffle patterns trills and parallel thirds and sixths. “Fess showed me how he approached the piano and mainly taught by demonstrating,” recalls Butler. “I listened and tried to emulate what he had shown me.”
Butler moved to Los Angeles in 198 where he gigged and worked as a talent development consultant for Motown Records and the Stevie Wonder organization. After sitting in with bassist Charlie Haden Butler’s fortunes changed. He recorded his first album Fivin’ Around for MCA/lmpulse! in 1986. After a second MCA/lmpulse! release The ½llage Butler’s reputation as an important force in the jazz world began earning him hordes of new friends and tans. Critics raved about virtuoso pianist who mixed soul with brains and about a live performer who consistently knocked audiences oft their feet with his scattering lightning-fast runs.
Butler recorded two albums for Windham Hill, 1990’s Orleans Improvisation and 1992’s Blues And More before heading back to New Orleans in 1996. He released For All Seasons that same year on Atlantic Jazz again to massive critical acclaim. He won the 1998 “Best Of The Beat” Award from OffBeat Magazine for Best New Orleans Piano Player and continues to impress critics fans and fellow musicians with his massive talents.
Two of the finest performers of New Orleans Music are set to perform together at The Town Hall in New York City tomorrow, June 15, 2017. The concert is part of Blue Note Jazz Festival 2017.
Dr. John and Henry Butler will be accompanied by Dr. John’s acclaimed backing band, The Nitetrippers.
The latest work by multifaceted pianist and vocalist Dr. John is a 2-CD live set titled album, The Musical Mojo of Dr. John: A Celebration of Mac and his Music, featuring well-known guests such as Bruce Springsteen, John Fogarty, Mavis Staples, Allen Toussaint, Irma Thomas, Dirty Dozen Brass Band and Big Chief Monk Boudreaux.
Butler is one of the greatest blues pianists in the United States. His most recent album is Vipers Drag (2014), with trumpeter and arranger Steven Bernstein and The Hot 9. It includes recreations of classics by Fats Waller and Jelly Roll Morton.
The best American brass band tradition in the United States comes from New Orleans and one of the finest bands currently is Hot 8 Brass Band. Their irresistible hip-shaking style incorporates traditional New Orleans jazz mixed with funk.
On The Spot gives the listener the feel of an enticing New Orleans band playing in the street during celebrations. “We are privileged to tour and to tell the stories of life in our city, to keep alive the memories of our band members who have passed, as well as all the musicians who have gone before”, says band leader and tuba player Bennie Pete.
Hot 8 Brass Band will embark on an international tour in March. This will be great opportunity to experience the unique sound of New Orleans performed by some of the most talented horn players and percussionists in the current scene.
‘On The Spot’ Tour Dates (with more TBA)
1 March, The Triffid, Brisbane, QLD (AUS)
2 March, Solbar, Sunshine Coast, QLD (AUS)
3 March, Tanks Arts Centre, Cairns, QLD (AUS)
4 March, Girrakool Blues Festival & BBQ, Girrakool, NSW (AUS)
8 March, Oxford Art Factory, Sydney, NSW (AUS)
9 March, Badlands, Perth, WA (AUS)
10 March, WOMADelaide, Adelaide, SA (AUS)
11 March, WOMADelaide, Adelaide, SA (AUS)
15 March, Brunswick Music Festival, Melbourne, VIC (AUS)
17 March, WOMAD New Zealand (NZ)
18 March, WOMAD New Zealand (NZ)
4 April, The Roundhouse, London (UK)
5 April, The Quarterhouse, Folkestone (UK)
6 April, Rescue Rooms, Nottingham (UK)
7 April, Invisible Wind Factory, Liverpool (UK)
8 April, Old Granada Studios, Manchester (UK)
9 April, Guild Hall, Preston (UK)
11 April, Liquid Room, Edinburgh (UK)
12 April, O2 ABC, Glasgow (UK)
13 April, The Wardrobe, Leeds (UK)
14 April, O2 Academy, Birmingham (UK)
16 April, Transatlantik Festival, Hamburg (GER)
19 April, Webster Hall Marlin Room, New York, NY (USA)
20 April, Jammin’ Java, Vienna, VA (USA)
21 April, Milkboy, Philadelphia, PA (USA)
22 April, ONCE Ballroom, Somerville, MA (USA)
29 April, Katowice Jazz Art, Katowice (PL)
1 May, Cheltenham Jazz Festival, Cheltenham (UK)
2 May, O2 Academy Sheffield, Sheffield (UK)
3 May, The Fleece, Bristol (UK)
4 May, Tramshed, Cardiff (UK)
5 May, The Factory, Barnstaple (UK)
8 May, Boiler shop, Newcastle (UK)
9 May, The Welly, Hull (UK)
10 May, Warwick Arts Centre, Warwick (UK)
11 May, Pocklington Arts Centre, Pocklington (UK)
12 May, The Soundcrash Funk & Soul Weekender, Camber Sands (UK)
17 May, New Morning, Paris (FR)
19 May, Open Air, Voiron (FR) [early show]
19 May, Le Fil – Radio Nova Nuit Zébrée, St Etienne (FR) [LATE SHOW]
20 May, Rush, Rouen (FR)
27 May, Denver Day of Rock, Denver, CO (USA)
30 May, The Crocodile, Seattle, WA (USA)
31 May, Wonder Ballroom, Portland, OR (USA)
1 June, The Dip, Redding, CA (USA)
2 June, The Independent, San Francisco, CA (USA)
3 June, Saint Rocke, Hermosa Beach, CA (USA)
4 June, House Of Blues San Diego – Voodoo Room, San Diego, CA (USA)
7 June, Antone’s, Austin, TX (USA)
8 June, Warehouse Live, Houston, TX (USA)
10 June, House of Blues, New Orleans, LA (USA) HOMETOWN RECORD RELEASE PARTY
Dr. John, or Mac Rebennack as known to friends and family, stands alongside of Louis Armstrong and Fats Domino as one of New Orleans’ all-time distinctive voices. He was born in New Orleans on November 21st of 1940.
His very colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art Neville, Joe Tex and Frankie Ford.
During the 1950s and 60s, he worked as an R&B session man. A notorious gun incident forced the artist to give up the guitar and concentrate on organ and piano. Further trouble at home sent Dr. John west in the 1960s, where he continued to be in demand as a session musician, playing on records by Sonny and Cher, Van Morrison and Aretha Franklin to name a few.
He also launched his solo career, developing the charismatic persona of Dr. John The Night Tripper. Adorned with voodoo charms and regalia, a legend was born with his breakthrough 1968 album Gris-Gris, which established his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots.
Several of his many career highlights include the masterful album The Sun, Moon & Herbs in 1971 which included cameos from Eric Clapton and Mick Jagger and 1973’s In the Right Place, which contained the chart hits “Right Place Wrong Time” and “Such A Night.”
Dr. John garnered Grammy award wins in 1989, 1992, 1996 and 2000. He has also received five other nominations over the years. In 2004, his musical love letter to the city of New Orleans, N’Awlinz: Dis Dat or d’Udda, was awarded the prestigious Académie Charles Cros 57ème Palmarès award in France. It was the first time since the 1970s that an artist from North America received the award.
In the aftermath of Hurricane Katrina, as the storm passed but the situation worsened, Dr. John responded in the way he knows best: musically. Dr. John and his band headed into a studio in upstate New York to record a seven-track EP dedicated to the Crescent City. Sippiana Hericane was released by Blue Note Records and all the proceeds from the CD sales were divided equally between the New Orleans Musicians Clinic, the Jazz Foundation of America and the Voice of the Wetlands.
The EP’s centerpiece, a four-part suite “Wade: Hurricane Suite” is book-ended by “Clean Water,” a song composed by Dr. John’s good friend and New Orleans songwriter Bobby Charles, and a version of Dr. John’s “Sweet Home New Orleans” with new lyrics penned by his wife and songwriting partner Cat Yellen. A brief reprise of “Clean Water” ends the EP.
The following is a statement from Dr. John on the devastation of his hometown of New Orleans: “I love New Orleans. I love the people, its food, its culture, the music and the lifestyle. New Orleans is the best of everything. I’m saddened and angered by what has happened. If anybody in the government would’ve done something about the disappearing wetlands for the past fifty years, then this probably wouldn’t have been as bad.
The federal, state and local governments have known for a long time that certain things needed to be done to protect New Orleans. The levees should’ve been able to deal with this assault. Now a high price will be paid for neglecting the needs of the city and its people. It makes me think of what my friend Reverend Goat just told me, ‘Let me say this before it goes any further. New Orleans didn’t die of natural causes, she was murdered.’ Everyone should donate what they can to the relief effort.”
Mercernary, released in 2006, was an idea that came from Dr. John’s daughter Tina, who pointed out that “Personality,” a 1946 hit for Johnny Mercer, would be a perfect fit for her dad’s down-home style. In fact, Tina suggested, why not do a whole album of songs written or popularized this giant of American popular music? That got Mac thinking. Mercer was a fellow Southerner and workaholic—the Savannah-born artist wrote the words, music or both to a good 1,500 songs, a remarkable number of them classics, as well as spending decades as a performer.
“I just loved the way Johnny sold that song Personality,” Mac said. “It was so much out of the old burlesque thing, and you could tell he knew that stuff, and he always appeared to me to have that Southern something about him. He just hit the lines in songs that was like the real McGillicuddy. He was a great singer, a great A&R man, a producer, and he even started Capitol Records. So we started looking at some Mercer stuff.”
After running the idea past Blue Note and getting an enthusiastic response, Dr. John got down to business, poring over Mercer’s massive songbook. “I wanted to pull as many of the ones that people weren’t as familiar with, but it was impossible,” he added. “One thing about Johnny Mercer’s stuff is that even the songs that aren’t that well known are well known from something.”
One of the biggest challenges Dr. John faced was coming up with an original that would both sum up the album’s personality and sit comfortably among his interpretations of Mercer’s songs. “My tribute to Johnny Mercer,” he said, “is ‘I Ain’t No Johnny Mercer,’ which I ain’t. But I took a lot of words from a lot of his songs that I would have never thought to use. I never in my life would’ve thought to use a word like ‘apoplexy’ in a song. I took some lines from ‘Pardon My Southern Accent’ and messed that up, too. Even took my favorite word he used in ‘Moon River’—‘my huckleberry friend.” But what I tried to do was take some Johnny Mercerisms, and just do them the way I would do them to make a little riff at Johnny, with him and about myself. I figured if I’m coppin’ on Johnny Mercer, I might as well cop on myself while I’m doing it. I may not be as good of a mercenary as Johnny Mercer was, but, whatever way you wanna break it down, I’m a mercenary in my own right.”
Mercernary was recorded at New Orleans’ Piety Street Studio in the spring of 2005, a few months before Hurricane Katrina hit. The facility, located in the Bywater (once referred to by locals as the Upper Ninth Ward), escaped serious damage, and it’s back in business now. Despite these and other pockets of activity, says Rebennack, “Every time I go back, I get weirded out by how little or nothing is going on. Sippiana Hericane was a labor of shock. This record was a regulation recording, and I hope it’ll do something in some way to help New Orleans.”
In 2008 Dr. John signed a multi-record agreement with the Savoy Label Group’s 429 Records. His first release under 429 Records was titled The City That Care Forgot, dedicated to Dr. John’s beloved New Orleans. The album features guest artists Eric Clapton, Willie Nelson, Ani DiFranco and Terence Blanchard.
In 2016, producer Don Was led a tribute concert to Dr. John at New Orleans’ historic Saenger Theatre. The resulting 2-CD live album, The Musical Mojo of Dr. John: A Celebration of Mac and his Music, featured guest appearances by Bruce Springsteen, John Fogarty, and Mavis Staples, along with New Orleans stars including Allen Toussaint, Irma Thomas, Dirty Dozen Brass Band and Big Chief Monk Boudreaux.
After a half century of creating music for others and himself, Dr. John continues to compose, arrange, produce and perform with passion.
Superb New Orleans multi-ethnic band Cha Wa brings together the vibrant Mardi Gras Indian tradition and irresistible polyrhythmic funk beats. Although the ensemble has been around for several years, carrying out numerous live performances, Funk ‘n’ Feathers is Cha Wa’s first album. “Cha Wa” is a slang phrase used by every New Orleans Mardi Gras Indian tribe, indicating “We’re comin’ for ya.”
Cha Wa injects street funk into New Orleans classics such as Dr. John’s “All On A Mardi Gras Day” and “Jock-A-Mo” (also known as ‘Iko Iko’). The group is led by singer and percussionist Honey Banister and drummer Joe Gelini. Honey Banister is a member of the Creole Wild West tribe. He appeared in the wonderful HBO series Treme. Gelini moved to New Orleans after graduating from the Berklee College of Music in Boston. Joe saw the Mardi Gras Indians appearing on Mardi Gras day to parade down Dryades Street. “I was hooked,” says Gelini. “It’s a spiritual thing. It’s more than the music.”
The lineup on Funk ‘n’ Feathers includes Irving “Honey” Banister on lead vocals and tambourine; Spy Boy J’Wan Boudreaux (grandson of Big Chief Monk Boudreaux of the Golden Eagles) on lead vocals and tambourine; Joe Gelini on drums, percussion and background vocals; John Fohl on guitar and background vocals; Sheizo Shibayama on guitar; Stephen Malinowski on organ; Yoshitaka “Z2” Tsuji on acoustic and Rhodes piano; and Norwood “Geechie” Johnson of the legendary Wild Magnolias on bass drum and background vocals.
Special guests include: Haruka Kikuchi on trombone; Irving Banister Sr. on rhythm guitar; producer Ben Ellman on alto saxophone; Dave Crawford on lead vocals; and Colin Lake on lap steel guitar.
03/31- Lafayette’s – Memphis, TN
04/01- Blue Nile [Album Release Show] – New Orleans, LA
04/07- French Quarter Fest – New Orleans, LA
04/10- d.b.a – New Orleans, LA
04/21- Ogden Museum of Southern Art – New Orleans, LA
04/23- New Orleans Jazz & Heritage Festival – New Orleans, LA
04/30- French Broad River Festival – Asheville, NC
06/04- Michael Arnone’s Crawfish Festival – Augusta, NJ