Tag Archives: Ballake Sissoko

Ballaké Sissoko and Vincent Segal Announce Fall 2017 West Coast Tour

Ballaké Sissoko and Vincent Segal

Ballaké Sissoko and Vincent Segal will be touring the West coast of the United States this fall.

Malian kora maestro Ballaké Sissoko and French cellist Vincent Segal released the acclaimed album Chamber Music in 2011. The duo released a second recording titled Musique du Nuit in 2015.

Ballake Sissoko & Vincent Segal Fall U.S. Tour Dates:

10/22: Plestcheef Auditorium at Seattle Museum of Art, Seattle, WA
10/24: The Old Church, Portland, OR
10/26: Freight and Salvage, Berkeley, CA
10/27: Vanderhoef Studio Theatre – Monday, Davis, CA
10/28: Vanderhoef Studio Theatre – Monday, Davis, CA
10/30: Kuumbwa Jazz Center, Santa Cruz, CA
11/1: Temple of Israel, Los Angeles, CA
11/2: Museum of Making Music, Carlsbad, CA
11/3: MIM Music Theater, Phoenix, AZ

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Ballaké Sissoko and Vincent Segal to perform at The ArtsCenter in Carrboro

Ballaké Sissoko and Vincent Segal

 

Malian kora maestro Ballaké Sissoko and French cello virtuoso Vincent Segal are set to perform on Tuesday February 28 at The ArtsCenter in Carrboro, North Carolina.

The two musicians have developed a distinctive hybrid musical style that mixes traditional West African and European Baroque music.

The duo released a remarkable debut album titled Chamber Music, released in North America in 2011. Ballaké Sissoko and Vincent Segal continued the collaboration in 2015 with Musique du Nuit.

 

 

Tuesday February 28 at 8 PM
The ArtsCenter, 300-G E. Main Street, Carrboro, NC.

Tickets for this show are $22. For more information or to purchase tickets, visit artscenterlive.org or call the Box Office at (919) 929-2787.

Ballaké Sissoko and Vincent Segal will start their North American tour tomorrow. Tour dates:

Feb. 23, Berea College, Berea KY
Feb. 24, University of VT, Burlington VT
Feb. 25, Palais Montcalm, Quebec
Feb. 26, Le Gesu, Montreal
Feb. 28, The Arts Center, Carrboro NC
March 1, The Barns at Wolftrap Vienna
March 3, French Institute Alliance, New York NY
March 4, Villa Victoria, Boston, MA
March 5, North Beach Band Shell, Miami Beach
March 8, Old Town School of Folk, Chicago IL
March 9, Cedar Cultural Center, Minneapolis MN

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Ballaké Sissoko and Vincent Segal Announce 2017 North American Tour

Ballaké Sissoko and Vincent Segal will return to North American stages in 2017, with their first tour on this side of the Atlantic since 2011. Malian kora master Ballaké Sissoko and French cellist Vincent Segal charmed critics and fans alike with their splendid debut Chamber Music, released in North America in 2011.

Ballake Sissoko & Vincent Segal – Chamber Music

The duo followed this success up with 2015’s Musique du Nuit that intensified the kora with cello hybrid sound.

Ballake Sissoko and Vincent Segal – Musique De Nuit

Ballaké and Vincent will begin the first part of their 2017 North American tour with stops in eleven cities in February and March, including Quebec, Montreal, New York City, Chicago, Miami, and more.

The duo will return for a second leg of touring in autumn 2017, with more dates to be announced.

Watch Ballaké and Vincent on Youtube

Ballaké Sissoko and Vincent Segal 2017 Tour Dates:

Feb. 23, Berea College, Berea KY
Feb. 24, University of VT, Burlington VT
Feb. 25, Palais Montcalm, Quebec
Feb. 26, Le Gesu, Montreal
Feb. 28, The Arts Center, Carrboro NC
March 1 The Barns at Wolftrap, Vienna VA
March 3 French Institute Alliance New York NY
March 4 Villa Victoria, Boston, MA
March 5, North Beach Band Shell, Miami Beach
March 8, Old Town School of Folk, Chicago IL
March 9, Cedar Cultural Center, Minneapolis MN

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Fama denke: An old Malian song

“Fama Denke” is a traditional Malian song to make a note of.

One of the joys of traditional Malian music is that its corpus is a repertoire that spans thousands and thousands of years; some songs let us into the psychologies and mentalities of humans living in historical conditions that we cannot fathom who first composed these songs. The fact that the song continues to be sung is the icing on the cake. Not only are we let into ancestral psychologies and the mentalities but we along with others enjoy being let in. Some old songs are just incredibly beautiful however obscure their lyrics may feel. One such song is “Fama Denke.” Malian heavyweight Ballake Sissoko, amongst many other greats, has interpreted it on his album Tomora. “Fama Denke” translates to “Son of the King.” It is a song that reminds a fallen Prince to keep his composure despite having to face capital punishment because of his betraying his father in 1898, as West African Kingdoms had all fallen into the hands of colonial powers.

Ballake Sissoko - Tomora
Ballake Sissoko – Tomora

The prince in question’s name is not fully agreed upon. Some say that his name was Diaoulé Karamoko and others say that it was Djale-Karamorgho. What’s agreed on is that he was the son of Almamy Samory Toure, who belongs to the same lineage as the Guinean ex-President Sekou Toure. Almamy Samory Toure founded a short lived Empire, the Islamic Kingdom of Wassoulou that encompassed parts of present-day Mali, Guinea, Ivory Coast and Sierra Leone. Samory Toure is a considered a major figure in West African political history because of his conquests. Diaoulé was sent by has father to be an Ambassador in France and when he returned, he had conceived of his own projects and began to influence the Empire’s army. He was put to death b popular verdict.

“Fama Denke” begins with a display of instrumental prowess before any of lyrics are sung. The griot then proceeds to sing what sounds like a lament but is not. The Kora playing is generally easier to fall into then the words, given how removed the lyrics are from contemporary life. It is not a universal song that speaks to average conditions and that’s what’s fascinating about it standing the test of time. It is incredibly composed and a gorgeous song more so than anything else.

There are traditional several ways to play “Fama Denke”. The most traditional “Fama Denke” is played on a Kora in Sauta tuning or Tomora Meseng tuning. Both Sauta tuning and Tomora Meseng tuning are traditional ways to tune a Kora and are used to reflect local dialects. Tomora Meseng is meant to be a thinner pitch than the Tomoraba, the oldest way to tune a Kora.

Both Sauta tuning and Tomora Meseng are Eastern Gambian tuning, though Malian players most likely brought the tuning with them during their migrations. “Fama Denke” can also be played on two balafons as a purely instrumental song. Finally, the song “Fama Denke” gave birth to the more popular song “Kana Kassi,” which translates to “Do Not Cry,” a song which much more attuned to contemporary life that is often sung as a lullaby or even as a love song.

The song Fama Denke is a great listen and a great introduction to the end of the West African 19th century and the beginning of the 20th century. Most of all, however, it is a beautiful composition that has stood the time because of its magnificence.

Headline photo: Ballake Sissoko

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