Tag Archives: Amjad Ali Khan

Sarod Titans Meet the Western Violin

Amjad Ali Khan, Amaan Ali Bangash, Ayaan Ali Bangash and Elmira Darvarova – Peace Worshipers

 

Amjad Ali Khan, Amaan Ali Bangash, Ayaan Ali Bangash and Elmira Darvarova – Peace Worshipers (Affetto Records AF1706, 2017)

Two of the world’s great musical traditions, Indian classical and western classical music come together in Peace Worshipers. The album features a family trio of sarod players led by one of the great masters of our time, Amjad Ali Khan and his equally talented sons, Amaan Ali Bangash and Ayaan Ali Bangash. The three artists representing the Indian classical music tradition collaborate with superb American violinist Elmira Darvarova.

Interestingly, the three sarod players appear on separate tracks. That is, each track features only one sarod player so there are no sarod trio performances.

Most of the material is composed by Amjad Ali Khan, based on Indian ragas. Elmira Darvarova contributes one solo violin piece based on a Bulgarian folk song.

The quartet is joined by tabla maestro Anubrata Chatterjee.

The CD booklet contains reflections on the recording along with biographies of the musicians, photos and credits.

 

 

Peace Worshipers features masterfully-crafted virtuoso performances that showcase the beauty of Indian and western classical traditions as well as folk traditions.

 

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Exquisite Sarod-Violin Collaboration

Amjad Ali Khan, Amaan Ali Khan and Ayaan Ali Khan, Elmira Darvarova – Amalgam (Affetto Records, 2016)

Amalgam is a beautiful collaboration between the world of Indian classical and folk, western classical music and Bulgarian folk music. It’s the continuation of the much-admired “Soul Strings album in which siblings Amaan Ali Bangash (Amaan Ali Khan) and Ayaan Ali Bangash (Ayaan Ali Khan) collaborated with violinist Elmira Darvarova.

This time, on amalgam, Aman and Ayaan have also brought in their father, renowned sarod maestro and composer Amjad Ali Khan. Most of the album features raga compositions by Amjad Ali Khan. Elmira Darvarova adds one of her own compositions inspired by Bulgarian folk songs to the mix.

The two great classical music traditions meet and interact wonderfully. Throughout the album there are moments of calm along with segments of dazzling virtuosity. The quartet is joined on some pieces by tabla master Anubrata Chatterjee.

The lineup on the album includes: Amjad Ali Khan on sarod, Amaan Ali Bangash on sarod, Ayaan Ali Bangash on sarod, Elmira Darvarova on violin and Anubrata Chatterjee on tabla.

Amalgam presents masterful performances by open minded, superb instrumentalists, exquisitely bridging South Asian and western traditions.

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Hypnotically Captivating Infinite Hope

Amjad Ali Khan, Rahim AlHaj, Amaan Ali Khan and Ayaan Ali Khan – Infinite Hope (Ur Music, 2016)

Swimming in a plumy lushness, Infinite Hope, out on the Ur Music label, revisits the collaborative efforts of Indian sarod master and composer Amjad Ali Khan with Iraqi oud virtuoso and composer Rahim AlHaj. Following up on their Grammy-nominated 2010 recording Ancient Sounds, Mr. Khan and Mr. AlHaj are joined by Mr. Khan’s sons, also sarod players and composers in their own right, Amaan Ali Khan and Ayaan Ali Khan. Sharing composition duties, this quartet dazzles listeners on this potently expressive musical collaboration.

Conjuring up a finely worked musical space crafted out of Middle Eastern and Indian musical traditions, Infinite Hope is masterful and elegantly sumptuous. Filling out Infinite Hope’s sound are tabla player Prashant Trivedi, percussionist Rakesh Bhardwaj, Chanda and djembe player Bubbi Negi, rhythm arranger and percussionist Parveen Sethi and rhythmic recitation singers Praveen Sethi and Rakesh Bhardwaj.

Opening with building percussion and rhythms and adding the lavish lines of sarod and oud, opening track “Virgin Earth” is a treat to the senses where the boundaries between Middle Eastern and Indian music wend together seamlessly as rhythmic recitation rounds out the track. Equally delicious is “Innocent River” composed by Ayaan Ali Khan and Rahim AlHaj as sarod and oud lines intertwine and break away.

The tracks of Infinite Hope offer up stringed mental maze where stringed oud and sarod of both musical traditions fashion a deeply hypnotic space. Equally delicious is the soothing track and one of the shortest at a mere four minutes and twenty-eight seconds, called “The Loving Mother.”

Infinite Hope takes off on a percussively rich journey on “Mystic Eternity” before gently coaxing listeners onto the meandering path of “Singing Soul.” Elegant lines and musical vocals that will raise the hairs on the back of your neck make up “Forgiving Planet” composed by Mr. AlHaj before Infinite Hope closes with the deeply luxuriant “Laughing Child.”

Infinite Hope is hypnotically captivating. It sets up a musical space by way of lengthy, lush tracks where time has no hope of interfering, because these masterful composers and musicians will take you where they want you to go in their own sweet time.

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