David Grisman was born March 23, 1945 in Hackensack, New Jersey. For more than 40 years, the mandolinist and has been busy creating ‘dawg’ music, a blend of many stylistic influences (including swing, bluegrass, Latin, jazz and gypsy) so unique he gave it its own name. In doing so, David has inspired a whole new genre of acoustic string instrumental music with style and virtuosity while creating a unique niche for himself in the world of contemporary music.
Grisman was already playing the piano, saxophone and mandolin by the time he was a teenager, taking up the latter at age 16. In 1963 Grisman made his first recordings as an artist (the Even Dozen Jug Band-Elektra) and producer (Red Allen, Frank Wakefield and the Kentuckians – Folkways). David’s interests spread to jazz in 1967, while playing in the folk-rock ensemble, Earth Opera.
A failed attempt at learning to play the alto saxophone turned him into a student of jazz musicianship and theory. In the meantime, his burgeoning career as a session musician gave him experience playing other types of music and opportunities to stretch the boundaries of the mandolin. Today, his extensive discography includes recordings with Bela Fleck , the Grateful Dead, Stephane Grappelli, Emmylou Harris, Chris Isaak, Dolly Parton, Bonnie Raitt, Linda Ronstadt , Earl Scruggs, Dan Fogelberg, Maria Muldaur, and James Taylor.
American roots music sensation Rhiannon Giddens is set to release Freedom Highway in February 2017. This will be her follow-up to her critically acclaimed solo debut album, Tomorrow Is My Turn.
Freedom Highway includes nine original songs written or co-written by Giddens; a traditional tune; and two civil rights-era songs, “Birmingham Sunday” and the Staple Singers’ “Freedom Highway.”
Giddens co-produced the album along with multi-instrumentalist Dirk Powell in his Louisiana studio, with the majority of the recording made in wooden rooms built prior to the Civil War, over an eight-day period.
String band Dave Rawlings Machine has added MerleFest to its “Nashville Obsolete” tour. The new album, the second full-length release for Dave Rawlings Machine, highlights the outstanding musicianship of Dave Rawlings and Gillian Welch on lead vocals and guitar, Paul Kowert (Punch Brothers) on bass, Willie Watson on vocals and guitar, and guest appearances from Brittany Haas (fiddle) and Jordan Tice (mandolin).
MerleFest 2016 is scheduled for April 28 – May 1, 2016 and will take place on the campus of Wilkes Community College in Wilkesboro, North Carolina.
Tickets for MerleFest 2016 may be purchased at MerleFest or by calling 1-800-343-7857.
Abigail Washburn’s soulful singing was one of the signature sounds of Uncle Earl since she joined in May 2003. Signed to Nettwerk Records as a solo recording artist, her album Song of the Traveling Daughter was released in August, 2005. The album features original songs in English and Mandarin Chinese, which she speaks. Actually, Abby was headed down a career path in Sino-American relations when she heard an LP of Doc Watson and decided to take up old-time banjo.
She met KC Groves at the International Bluegrass Music Association (IBMA) in Louisville, Kentucky and joined the band that summer. Combining her love of traditional American music, Chinese language and classical Chinese poetry, she began writing songs, some of which happen to be in Chinese. Her writing earned her a second place award in the Chris Austin Songwriting Contest at MerleFest in 2004.
In 2012, after attending Doc Watson’s funeral, Abigail began performing “And Am I Born to Die,” a sacred harp piece recorded by Watson. “Doc is one of the main reasons I play the banjo and sing American old-time music,” says Washburn.
Along with 24 innovative and creative thinkers from across the world, Abigail Washburn was named a TED Fellow and presented at the 2012 Ted Convention about building United States-China relations through music. Her efforts to share American music in China, and Chinese music in the Unied States exist within a hope that cultural understanding and the communal experience of music will lead the way to a richer existence.
In 2014, Béla Fleck and Abigail Washburn released their eponymous debut album October 7th on Rounder Records. Béla Fleck & Abigail Washburn is a front porch banjo and vocal album of new music, Appalachian murder ballads, gospel, chamber and blues; the culmination of a yearlong tour as a duo in 2013, following the birth of their son, Juno.
American musician Abby Newton first brought her cello into the folk music scene in the mid 1970’s as a member of The Putnam County String Band, with Jay Ungar, John Cohen of the New Lost City Ramblers and Lyn Hardy. Her partnership with Scottish singer Jean Redpath introduced her to the music of the British Isles, and they toured the US and Scotland, and made 16 albums together.
Abby’s first solo recording of new and traditional Scottish and Irish music, Crossing to Scotland, brought the cello front and center and included a stellar group of supporting musicians. Her second recording, Castles, Kirks, and Caves, featured 18th Century Scottish traditional and Baroque music, recorded on location in the ancient spaces in Scotland where the music has its roots.
A new trio, Ferintosh, evolved out of those recording sessions, and features Abby, fiddler David Greenberg, and Celtic harper Kim Robertson. Their first CD, Ferintosh, presented a unique sound, described by some as chamber-folk. Abby was the featured artist in an hour-long interview by Fiona Richie on National Public Radio’s The Thistle and Shamrock, and she has also made several appearances on A Prairie Home Companion.
In addition to many workshops conducted in Scotland promoting the use of the cello as both a melodic and rhythmic instrument in traditional music, Abby has also taught at Gaelic Roots, Rocky Mountain Fiddle Camp, National Strings Workshop and Valley of the Moon Scottish Fiddle School. Abby has been featured on over a hundred recordings by a variety of folk artists including Jean Redpath, Priscilla Herdman, Bonnie Rideout, Al Petteway, David Greenberg and Puirt a Baroque, and the Jay Ungar/Molly Mason duo.
[Biographical information courtesy of the Swannanoa Gathering].