Lalah Hathaway has released a new video for her neo-soul song “Mirror.” The video burns slowly as the song does also. Its lyrics are straight to the point and ask us, with incredible clarity, to love the image that we see in the mirror.
There is something remarkably proverbial about Lalah Hathaway’s singing, again, and again, poignantly each time, to “stop hiding yourself” in “Mirror.” It reminds of advice given in the form of sayings that can be heard in homes being told by a person to someone in need of help. Are proverbs still a thing in this American culture of advanced capitalism?
Hasn’t public education and public libraries and the necessity to educate one’s self “by the book” in order to get a job replaced proverbs with texts by known writers, revered for their knowledge? One would think so. While listening to Hathaway’s neo-soul song, rooted in the infamous soul aesthetic that came about at a much different stage of American capitalism, the listener is transported out of the world in which he or she lives and into one where proverbial knowledge seems to be what matters. It’s beautiful and reveals the possibilities of music.
Hathaway’s song might just be opening a door to temporarily feeling an alternative to mass culture not only through the song’s message and the song’s non-pop rhythm, but also through the fact that the message feels powerfully proverbial.
Julien Jacob arrived in France during his early childhood. His West-Indian parents settled in the South of France. For him, who was born in Benin, Africa, it was the encounter with a new culture. But he kept from his native country the imprint of African chants and rhythms.
H was passionate about music from his early childhood. Julian listened to Jazz, Motown music, mystical Asian chants, ethnic songs and dances. All these seeds enriched his artistic talent
In 1977, he performed on stage for the first time as lead singer for a rock band at the age of 17. After a few years, he decided to go his own way and left the group in 1983. From then on, he concentrated on composing his own music. But during this period, he also worked backstage at concerts by world renowned artists like David Bowie and Miles Davis. Backstage, he had intense artistic encounters, in particular a fabulous evening with Fela Kuti and his musicians.
In 1993, he left the south of France and settled in Paris, a time during which his artistic identity affirmed itself . Inspiration pushed him to sing in a mysterious language which he found within himself. An unknown language which everybody can understand because the words only find their meaning in the emotions they carry. From then on, Julien would sing in his own language.
At the same time, he started writing books. He has forever followed an internal quest and he writes about what he perceives of the invisible life. Music and writing are for him two different ways to express his quest.
In 1995, Julien finally found his adoptive home in Brittany. And from then on, everything moved faster. One year after self-producing a 4 track record, he recorded his first album, Shanti (Warner), and got on the road for 4 years full of stage experiences in France and abroad.
Julien Jacob’s second album, Cotonou, was released worldwide in February 2005 by British label Wrasse Records. To introduce his intimate afro-pop, Julien surrounded himself with his loyal producer and sound magician Ghislain Baran, the talented and famous percussionist Steve Shehan and the master of mandola lute Akim Hamadouche. His friend Rachid Taha a lent him his voice and sings the chorus on the track “Yacob”.
Argentine pianist Adrian Iaies’ unique style can best be described as a fusion of traditional tango and contemporary jazz. In 2000 he was nominated for a Latin Grammy in the jazz category for his album LasTardecitas de Minton’s (Acqua Records). Throughout his extensive career he has toured extensively on both sides of the Atlantic having shared the stage with artists such as Ron Carter, Lee Konitz, Michael Brecker, Dave Holland, John Patitucci, Chucho Valdes, and Dino Saluzzi.
In November 2000, Iaies recorded a new solo record in Barcelona called Tango reflections which was released worldwide in April, 2001. He has toured extensively in promotion of this release including dates in the Spanish Jazz Festival, La Semana de Jazz Latino de Madrid, the Miami Film Festival, and the Festival Internacional de los 7 Lagos in Argentina.
Aaron Bebe Sukura is a Ghanaian multi-instrumentalist (harp-lute, thumb-piano, bamboo flute, guitar, xylophone). He recorded Nyong, a solo album devoted to acoustic Highlife from Ghana with a unique mixture of Jamaican, Manding and Ghanaian influences.
Aaron Bebe Sukura sings about love, wisdom, and the fight against corruption. He made his recording with Local Dimension, a group based at the University of Ghana at Legon. The originator of the project was John Collins, producer of several records in Nigeria and Ghana, the author of a book about Fela Kuti, and a specialist in African urban music.
Abdullah Chhadeh is one of the Arab world’s most innovative qanun players. He has re-designed the traditional oriental instrument by the addition of an octave, which enables him to play a wide variety of Middle Eastern classical music, from the Turkish, Azerbaijani, Persian, Arabic and Andalusian repertoire.
Born in Damascus in 1968, Chhadeh was raised in a camp for refugees from the Golan Heights and was schooled there. He later studied Mathematics at Damascus University. Chhadeh also studied at the Damascus Musical Conservatory, where he specialized in both Eastern and Western Classical music, and graduated with a degree in 1997.
He studied composition at the Guildhall School of Music and Drama in London, from 1997-1999, with Adrian Thorne and Malcolm Singer (Head of the Menuhin School of Music). Trained in western classical music, he has performed his adaptations of works by Vivaldi, Bach, Handel, and Mozart for the qanun with both chamber and symphony orchestras, in the Arab world and in the West.
He is a talented and rigorous composer. His compositions for qanun were performed by himself and broadcast on BBC World Service Radio.
His composition for Symphony Orchestra had its world premiere performance in 2000. He regularly plays as a guest performer with Classical, Jazz and World Music groups.
In 2001 he formed the ensemble Nara, which plays principally his own compositions. The band’s first album, consists of material recorded live during its set at 2001’s WOMEX world music trade fair in Rotterdam.
Abdullah sees Nara as a flexible ensemble which can invite guests to perform with it; at Rotterdam singer Natacha Atlas made a guest appearance, joining Chhadeh’s qanun, Matthaios Tsahourides’ Pontic lyra, Bernard O’Neill’s double bass and the Kurdish percussion of the three Zahawy brothers.
In 2010, Abdullah Chhadeh joined Nick “Dubulah” Page (Dub Colossus, Trans Global Underground and Temple of Sound) and Irish double bass player, composer and MD Bernard O..Neill in a three way collaboration called Syriana. The writing and recording took place in London, at Real World Studios and in Damascus.
Syriana was described as a dialog between East and West, where ancient civilizations vye and blend with iconography from spy novels, 1960s television themes and Cold War film soundtracks.
Cooder-White-Skaggs have announced a North American spring tour. The trio features virtuoso multi-instrumentalists Ry Cooder and Ricky Skaggs along with renowned country gospel singer Sharon White.
The trio delivers a mix of blues gospel and bluegrass, supported by Joachim Cooder on drums and Mark Fain on bass with occasional guest performances by Buck White and Cheryl White of The Whites.
Spring 2016 Cooder-White-Skaggs “Songs For The Good People” Tour Dates:
March 30 – Savannah, GA – Savannah Music Festival
March 31 – Ponte Vedra Beach, FL – Ponte Vedra Concert Hall
April 1 – Ft. Lauderdale, FL – Parker Playhouse
April 2 – Tampa, FL – Straz Center
April 3 – Atlanta, GA – Center Stage Atlanta
April 5 – Nashville, TN – Ryman Auditorium
April 6 & 7 – Alexandria, VA – The Birchmere
April 9 – Wilmington, DE – The Grand Opera House
April 11 – Toronto, Ontario, Canada – Massey Hall
April 12 – London, Ontario, Canada – Centennial Hall
April 14 – Ottawa, Ontario, Canada – Centrepointe Theatre
April 16 – Ithaca, NY – State Theatre of Ithaca
April 17 – Tarrytown, NY – Tarrytown Music Hall
Africa Oyé, the UK’s greatest celebration of African music and culture will take place June 18th & 19th at Sefton Park in Liverpool. Admission is free.
Last year the African and Caribbean music festival attracted 80,000 festivalgoers across the event’s weekend.
“We’ve already got some exciting acts in the pipeline that we’ll be able to announce very soon“, said Artistic Director, Paul Duhaney. “Every year we try and build on our success and raise the standard that little bit more and I’m confident that 2016 will be no different.”
Poemus has a new album titled Progenitor Vol. 1, In the Name of our Ancestors (EMCD/ Etnisk Musikklubb). Poemus was formed about two years ago, first as a trio Poemus and currently as an orchestra with 5-6 musicians. All band members come from different parts of the former Yugoslavia and have different backgrounds and cultural roots.
Poemus plays original music from the former Yugoslavia, Eastern Europe and Balkan mixed with gypsy music, with its own arrangements and style.
The musical journey on Progenitor Vol. 1 takes the listener through Bosnia and Herzegovina, which is also a multicultural area where three religions come together.
A musical art form, called sevdalinka, originates there, which is equivalent to blues in the United States of America, chanson in France or fado in Portugal. The band’s concerts are usually finished with a gypsy medley.
Poemus lineup includes Aleksandar Pavlovic, Mili Orucevic, Vladimir Puhalac, Matija Puzar, Svetislav Mitic, and Zlatko Orucevic
Madrid’s renowned Flamenco Festival, Suma Flamenca (Flamenco Summit) will take place June 3 through June 30 at different venues in the capital and Madrid region.
This week, Suma Flamenca will present two flamenco song performances, a dance show, a film series and performances at tablaos (flamenco nightclubs).
One of the most impressive new jazz/flamenco crossover vocalists, Silvia Pérez Cruz, will perform on June 5 at Corral de Comedias in Alcalá de Henares. She will be accompanied by guitar maestro Raül Fernández Miró.
As part of Suma Flamenca, Madrid’s city council has scheduled a month of flamenco at Fernán Gómez Centro Cultural de la Villa. The first show will be El arte por delante, performed by the Rojas y Rodríguez dance company, June 3-7 at Sala Guirau.
Sala Guirau’s lobby will display the Antonio Gades. 50 Años de Danza Española exhibit by Fundación Antonio Gades throughout the month of June.
The Sala Jardiel Poncela at Fernán Gómez Centro Cultural de la Villa has scheduled the children’s show Flamenco Kids en el Jalintro by the eresa del Pozo and José Luis Montón company, every Saturday at 17:00 (5:00pm).