OneBeat Russia will arrive to Moscow this weekend. The event brings together nine socially engaged musicians from Russia and the United States to compose, create and perform original music, and explore ways that music-making can build community across cultural and geographic divides.
OneBeat Russia is comprised of three one-week residencies, starting in the medieval city of Suzdal, continuing to Sviyazhsk Island and Kazan in Tatarstan, and ending with a week in Moscow, co-organized by Ground Khodynka.
Our one-of-a-kind ensemble will celebrate the 100-year anniversary of Stravinsky’s ‘L’Histoire du Soldat,’ reimagining the work entirely while drawing inspiration from its original intent to use the power of myth and folk tales to bring art and music to people from all walks of life. Conversely, OneBeat Russia draws the sounds and stories of the public into the art world. In addition to performances and workshops, OneBeat Russia fellows and staff will produce original recordings, music videos, photos and social media to share the experience with wider audiences.
In times of challenged US-Russia relations, this program emphasizes the creative connections and enduring good will between the people and artistic communities of the United States and Russia.
Saturday, June 24: Powerhouse Moscow — 8pm — Free admission
Sunday, June 25: Ground Khodynka — 4pm/8pm — 100 Rubles
The second edition of the Russian World Music Awards application process is now open until July 15, 2017. To apply, go to worldmusicawards.ru. The voting process will be held during 15 days – from July 15 till July 31. People choose the best nominee for the Listeners Choice nomination until July 31. The jury will evaluate nominees based on 4 criteria: professionalism, authenticity, experimentalism, personal attitude. The winners will be presented in 5 categories: The Best Authentic Project, The Best Experimental Project, The Best World Music Project, The Best New World Music Project, and Listeners Choice Award.
In 2017 jury members are Ben Mandelson from the UK, Jarmila Vlchkova from Slovakia, Nataliya Shostina from Russia, Simon Broughton from the UK, Aengus Finnan from the US, Rolf Beydemuller from Germany, Alexander Cheparukhin from Russia, Arne Berg from Norway, Andrew Cronshaw from the UK, Carlos Seixas from Portugal and Yury Romanov from Russia. In total, 11 samurais and absolutely wonderful people.
The first Russian World Music Awards Ceremony was held in November 2016 in Moscow. The winners were chosen from a large amount of nominees for the first time – 149 applicants from 25 cities of Russia. The best world music project was Authentic Light Orchestra; the best experimental, Inna Zhelannaya; the best authentic project, Nerechtskiy Rozhechniy Choir; and Listeners choice, Robert Yuldashev and Kuraisy band.
Jury members in 2016 were 9 professionals from 7 countries: Juliana Voloz from Estonia, Ton Maas from the Netherlands, Johannes Theurer from Germany, Andrey Kataev from Russia, Timur Davletov from Turkey, Tristra Newyear Yeager from the USA, Aengus Finnan from the USA, Joe Boyd from the UK, and Ankur Malhotra from India.
It was a big surprise for us, organizers, that our idea with the world music awards had a resonance in hearts of many people, the activity in social nets was really impressing! Over 2000 visitors per day! Organizers are Natalia Myazina and Daryana Antipova.
We ordered handcrafted statues with the symbol of our Awards – a bird, made of cedar wood in Siberia. Totally we spent about 500 dollars for all the project work.
In 2017 year we are planning to present our winners at WOMEX in Poland. And this year it’s going to be free for the musicians to apply to our Awards. As what we offer is really a substantial deal: an international and Russian jury will listen to nominee’s music, will watch their video, we publish the band’s profile at all our social media, so later bands will be in our compilation CD and online (for the best nominees), so many new people will know about nominees music and can become their fans!
Some people ask us why we are positioning ourselves as an international project. The answer is vivid, we almost don’t have a world music market in Russia. Our bands are traveling abroad to earn money. The Russian reality is that world music is an unknown term for our specialists; we misunderstand ethnic and folk music, often taking communist lubok balalaika and garmoshka as national folk. That’s why we gather international specialists for the Awards’ jury, as we see the lack of international-class specialists in world music in Russia. We hope this will change in the future, and our mission is to be the locomotive of this process in Russia.
The best authentic project – Nerechtskiy Rozhechniy Choir
The best world music project Authentic Light Orchestra
The best experimental project – Inna Zhelannaya
Listeners choice – Robert Yuldashev and Kuraisy band
The Russian World Music Awards welcome professional bands and soloists, performing in world music genre living in Russia. How do we determine who is professional and who is amateur? We decided that to be a professional musician in world music is not about documents, diplomas, it’s about listener’s’ choice. It’s impossible to lie to people, they feel what has a resonance in their hearts, and what does not. That’s why a professional musician for us is who has a vast concert activity and has at least 1 album.
Russian composer and arranger Andrey Vinogradov (a former member of the legendary Russian band Arsenal) is set to play on hurdy-gurdy March 30th, 2017 at Hyperion club, Moscow.
You will hear Andrey’s own songs and instrumental compositions, as well as Russian, Bulgarian, Macedonian, Serbian, Greek, Austrian music, contemporary classical melodies, and jazz improvisation on hurdy-gurdy. This exact instrument was made by Wolfgang Weichselbaumer from Austria.
Andrey participated at several prestigious folk festivals recently like Krutushka (Kazan, 2015), EuroFolk (Bulgaria, 2015), Medunarodni Festival Tradicijskih Glazbala (Croatia, 2015), Manor Jazz Rosa Khutor (Russia, 2016), Music on the river (Russia, 2016), and Pilsen Busking Fest (Czech Republic, 2016).
For about 4 years Alyona Minulina has been known as Alyona FolkBeat – a beautiful folk singer and beatbox musician from a rising star group FolkBeat. In February 2017 Russian label FireStorm production released their new album “I’m marching on my own” that was recorded and produced by Alyona but at the same time their fans were shocked by news about her leaving the project. Alyona tells us what happened and what’s next.
Q:How did the group FolkBeat get started?
Alyona Minulina: FolkBeat grew up from a student’s ensemble. It was called differently and consisted of a large number of participants. Later I began to study beatbox and electronic music, so I thought it was interesting to combine it with Russian folk songs. So FolkBeat has traditional Slavic polyphony, surrounded by electronic arrangement, which is close to the styles of EDM trap, dubstep, trance and crunk. The compositions are often performed with beatbox – imitation of drum machines and music effects using vocal apparatus and articulation organs.
Q: How would you describe your musical journey so far?
AM: When we started we made music for ourselves and gradually our music started to be interesting to other people. We didn’t think about genres, we were passionate about making music with each other, it was really awesome. When we went on stage the audience felt our special energy.
Q: Did you perform in Europe or only in Russia?
AM: In 2016 Folkbeat took part at EuroRadio Festival and had a concert in Viljandi (Estonia). Besides this we visited Madrid, Munich, Athens and Tallinn with festival of Russian cultural FeelRussia.
Q: As I know – you love collaborating with different music genres and bands: what are the features of Russian folk music that makes it possible for you to collaborate with other musicians?
AM: The most interesting thing for me is the fact that people connect with each other, share cultures, and different genres and traditions mix too. Now I have plans to record some songs together with the master of throat singing Alexei Chichakov from Mountain Altai. This will be the connection of his own Altai traditions and Slavic melodies.
In every collaboration I’m looking for special feeling when the spark runs between musicians (chemistry in our relationship), because then, every performance becomes memorable for listeners. This is the highlight for me. Of course with Folkbeat we often had this feeling. When the head is full with ideas – I always find the way to realize them. But sometimes I get tired and I need to allow some rest for myself. This is the most difficult thing for me.
Q: What music instruments do you use?
AM: Different electronic things (loop station, keyboards), sometimes folk wind instruments like kugikly and kaliuk, khomus.
Q: What can you tell us about the contemporary Russian folk scene?
AM: Despite the fact that the Russian folk scene is a real “folk star” and a budding young musicians, it hasn’t been formed yet. We do not have enough support and solidarity between each other. Although we have more opportunities for advancement than 10 years ago.
Q: How are your albums being received by audiences?
AM: Our first album «Joyful meeting» became favorite Russian-folk album on EBU Folk Festival in 2016. In Russia it was in the top twenty music albums of 2016. This year we released the album «Sama idu» (I’m marching on my own). We collaborated with different electronic musicians and DJs, so it can be classified as pop-folk.
Q: Who would you say are the leading influences in your musical career?
AM: My teachers, who always said something like this: pull yourself and work, work hard, if you really love it.
Q: So what happened to FolkBeat?
AM: With Folkbeat we are friends, but we do not work together anymore. If the world gives us a chance to sing together again, I will take this chance.
Now I work on original songs album with the texts of famous Russian poets from XX century. And together with Jewish, Armenian, Russian musicians and composer from Canada, Ivan Popov, we have created a world music project “Under The Same Sky” which intertwined tunes and melodies of different national cultures. In March we will have a concert of Slavic-Jewish music.
Q: Are Russian audiences, venues, labels and artists open to collaboration?
AM: It depends on various factors, but if you play interesting music, you can always find a way.
Q: Where do you see yourself 10 or 15 years from today?
AM: I see myself chewing pasta in my favorite little pizzeria in Italy, resting in a cozy wooden house on the Solovetsky Islands in Russia, and playing my set at the Burning Man.
Q: Do you also teach workshops for students and musicians?
AM: I opened vocal beatbox and body percussion workshops named “Pulse” in Moscow recently and it’s getting popular. I have a lot of new ideas and projects in my head and I hope my music experience with FolkBeat will help me to create something really unique and internationally interesting.
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