They take traditional rhythms, and invigorate them with jazz harmonies. The fusion reveals as much as possible of the musical tradition, while giving a western tone, to link the past and future. They sing in vernacular language about life in general, political injustices and the tribulations of women.

Through the word Togb?, the band salutes the music on which they build their sound. The first meaning of the word is ? ancestor ?, the band?s way of paying homage to the range and quality of the rhythms they created. The second is a reference to age, highlighting the ancient roots of the music they play.

The Gangbe Brass Band?s musical approach is respectful of tradition, and in harmony with their ancestors and culture.
From 1994 to 1997, the Gangbe Brass Band worked mainly in Benin.

A year later, in 1998, their association called ? The Union of Wind Instrumentalist of Benin ? took part in the ? Atelier Nomade ? of Alougbine Dine, a very famous artistic director. They composed a piece called ? La Fuite ?.

This meeting was very important as it enabled them to draw up artistic and political guidelines, and think about the values they really wanted to defend, things they want to talk about and the projects they could put in place. During this year, they played many concerts such as the ? Jazz ? Ouaga ? festival, and again at Bamako?s Festival du Th??tre des R?alites where they met the French group Lo ?Jo Triban.

Thanks to them and to Yves De La Croix, they recorded their first album called ? Gangb? ? and began an international tour of 35 concerts with them in 1999, playing in Europe and Canada, and another tour in Nigeria. They received an award at Benin Golden Awards, and took part in the first Nomad?s meeting, in Cotonou, and the Pan African of Jazz in Accra (Ghana).

In 2000, still supported by Lo?Jo Triban, they played on international stages, such as the Womad Festival in London, Jazz in St Louis (S?n?gal) and Lille 2000.

At the same time, they developed cultural projects for increasing awareness about Beninese culture, their main concern.
The first one ? Voodoo?s rhythms box ? received the support of the Benin Ministry of Culture. It consists of a collection of all Beninese ceremonial rhythms for a CD, and later a CD ROM, to be distributed in European art schools, and cultural institutions. The second one, called ? Horizon 2001 ? concerns regional, continental and worldwide cultural exchanges. It?s a European-African network for the organisation of concerts between the Gangbe Brass Band and other guest artists.

The Gangbe Brass Band began working with Contre Jour in Brussels in 2001, recording their second album called Togb?. During the Summer, they promoted it through a new tour of 45 concerts, including high-profile festivals such as Musiques du Sud in Lebanon, Couleur Caf? in Brussels, the Sfinks in Antwerp, Pop Kom in K?ln, and Musiques M?tisses in Angoul?me (France).

In 2002, they were on the road in Europe during the Spring and the Summer and in USA in the Fall for some festivals (Bloomington, Chicago, New York).

In 2003, during their European tour, they recorded a new album (released in June 2004). During this year, they were touring in Europe and participated in a project with French Jazz Musicians for a Tribute to Don Cherry (presented at the Festival in the Desert in Essakane)

In 2004, the band released a new album, Whendo, and toured Europe.

Gangbé (1998)

Togb? (2001)

Whendo (2004)