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 K?k?l? is a collective of legendary Congolese musicians revitalising the
Congolese rumba of the golden age artists such as OK Jazz, Ry-Co Jazz, or Les
Bantous de la Capitale. Their music is an old-school version of Congolese rumba:
classic, relaxed, with great acoustic guitar interplay and sweet vocals. In a
way comparable to what
Buena
Vista Social Club was for Cuban music, but much less a well-planned
marketing project, K?k?l? started as a loose ensemble, a revival that had its
prelude in a couple of rumba albums of the 1990s by Mose Se Fan Fan and Wendo
Kolosy. A true supergroup, the member list of K?k?l? reads as a who-is-who in
Congolese rumba music.
K?k?l? is a Lingala word for a fibrous vine that climbs trees in the tropical
forests of the Congo River basin. Ropes woven from k?k?l? are still used in some
places to build bridges across forest streams. By calling their group K?k?l?,
then, perhaps, Papa Noel, Syran Mbenza, Wuta-Mayi, Nyboma Mwan Dido, Jean-Papy
Ramazani, Loko Massengo, Bumba Massa and Yves Ndjock are thinking of their long
career paths as strands woven together to make something strong, something that
spans divisions - geography, generations, genres - and allows musicians to
continue on their journey, and to return home to their musical origins:
Congolese Rumba.
The golden era for Rumba Congolaise - an irresistible mix of Cuban rumba and
African rhythms - was in the sixties, when it reflected the optimism of the
newly independent African nations. K?k?l? has succeeded in bringing this sound
back to life, featuring many of the musicians from the classic orchestras of
that era. Enchanting vocals, vivacious rhythms and spellbinding guitar-based
dance make the Congolese Rumba totally uplifting and joyous. This is the classic
Congo sound before the rhythmic intensity of soukous overpowered its subtlety.
In Congolese terms, this is a "supergroup," comprised of true luminaries. Both
singers, Bumba Massa and Loko Massengo, have careers dating back to the '60s,
while the rest of the vocal contingent were founders of the soukous group "Les
Quatre ?toiles" in the '80s, and lead guitarist Papa Noel has a pedigree going
back to his days as instrumental foil for the late great Franco. Qualifications
simply don't come any higher. While many of the performers had worked together
in different combinations before, and obviously knew each other through the
burgeoning Paris world music scene, in most cases they'd never recorded
together, although Mayi and Noel had released a duet album in the mid-'90s.
It had been a long time since the musical climate had been open to the throwback
style of Congolese rumba where they had started their musical careers. Gentle
and laid back, it had been superseded by the more frantic and danceable soukous,
which had given everyone a living. However, the time had come for a revival.
K?k?l? had never thought of it that way; it wasn't a calculated commercial
enterprise. The idea for a band - or at least a record - came together slowly,
over casual jam sessions at apartments and houses in 1999. The material which
would form their debut disc,
Rumba Congo, came from those times, established slowly, out of love
and a return to roots. When they were finally ready to commit their sound to
tape, they teamed up with another veteran, Ivory Coast-based producer, Ibrahim
Sylla. In 2001, K?k?l? released their first album.
In 2003 the group released its second album,
Congo Life. |