Pioneering world fusion act Ancient Future is set to perform on Saturday, February 11, 2017 at Trinity Chapel in Berkeley. The concert will feature guitarist Matthew Montfort, tabla master Vishal Nagar, and Mariah Parker on piano and santur.
Brixton act The Dandadda, created by producer Dan Vinci, has developed a fabulous hybrid sound, mixing electronica, reggae and other genres. The single “Heart Attack” is now available on video. This is the first single in a series of releases The Dandadda is planning to publish in the near future.
“Heart Attack” is motivated by the hyper-gentrification of Brixton. Dan Vinci grew up in this culturally diverse English city. He’s worked with reggae musicians from early in his career. The Dandadda has also involved well-known names in the project, such as Horace Andy (Massive Attack), Earl 16 (UB40), Junior Dan (Gorillaz), John Holt and The Ragga Twins (Skrillex).
Dhafer Youssef is a creative ud (Arabic lute) player from Tunisia. He’s also an excellent vocalist and prolific composer. Youssef mixes traditional Sufi music, world music, and jazz influences with Arabic lyricism.
Dhafer Youssef was born November 19th, 1967 in Tebulba. The son of a modest family from this Tunisian fishing village, he comes from a
long line of muezzins. Although he received vocal training as a young boy, Dhafer became interested in the ud. He played it at the youth center in Tebulba, where he also discovered the electric bass and various rhythms.
Seeking new possibilities, Dhafer Youssef moved to Tunisia’s capital, Tunis. He enrolled in the musical conservatory at Nahj Zarkoun. Disappointed with his experience there, he moved to Austria to complete his musical training.
Vienna’s multicultural scene opened the door to new options. Dhafer studied musicology, but soon realized he was more interested in jazz and Indian music. He participated in numerous jam sessions and met Austrian percussionist Gerhard Reiter. The two musicians formed a band called Zeryab.
In 1996, Dhafer Youssef released his first album “Musafir” (The Traveler, in Arabic). This album was the result of an encounter with Anton Burger, Achim Tang, Jatinder Thakur and Otto Leichner. He presented this project at Porgy & Bess, the renowned Viennese club.
At Porgy & Bess he met Nguyen Lê, the French guitarist of Vietnamese origin and Italian trumpeter Paolo Fresu who invites him to several performances throughout Europe.
In 1998, Dhafer released “Malak” (Enja Records). Three years later he recorded “Electric Sufi” (Enja Records), an album that featured Wolfgang Muthspiel on guitar, Markus Stockhausen on trumpet, Deepak Ram on bansuri, Dieter Ilg on bass, Mino Cinelu on percussion, Rodericke Packe on electronics, Will Calhoun on drums and Doug Wimbish on bass.
In 2003, Dhafer Youssef recorded “Digital Prophecy,” a world jazz symbiosis between the ud and electric instruments. This time, the lineup featured Scandinavian musicians: Nils Petter Molvaer on trumpet, Bugge Wesseltoft on piano, Eivind Aarset on guitar, Auden Erlien on electric bass, and Rune Arnesen on drums.
“Divine Shadows” came out in 2005, followed by “Abu Nawas Rhapsody” (2010) where he was accompanied by pianist Tigran Hamasyan, drummer Mark Giuliana and double bass player Chris Jennings.
In 2011, Dhafer invited Turkish clarinetist Hüsnü Senlendirici and kanun player Aytaç Dogan to a performance in Ludwigsburg (Germany). Inspired by this meeting, Dhafer Youssef released “Birds Requiem” (2013).
Dhafer returned to New York City in 2016, a city where he lived for a few years. There, he recorded “Diwan of Beauty and Odd” with New York jazz scene musicians: Aaron Parks on piano, Ben Williams on bass, Mark Guiliana on the drums and Ambrose Akinmusire on trumpet.
Musafir (1996) Malak (Enja, 1999) Electric Sufi (Enja, 2001) Digital Prophecy (Justin Time, 2003)
Exile, with Gilad Atzmon & The Orient House Ensemble (Enja, 2003)
Odem, with Wolfgang Puschnig and Jatinder Thakur) (EmArcy, 2005) Divine Shadows (Jazzland, 2006)
Homescape, with Nguyên Lê and Paolo Fresu (ACT, 2006) Glow, with Wolfgang Muthspiel (Material, 2007)
Jo & Co, with Anna Maria Jopek (Universal Music Poland, 2008)
Latitudini – Omaggio Alla World Music, with Paolo Fresu and Eivind Aarset (Casa Del Jazz, 2008) Abu Nawas Rhapsody (EmArcy, 2010) Birds Requiem (Okeh, 2013) Diwan of Beauty and Odd (Okeh, 2016)
Tabla performer Shankh Lahiri comes from a family with a strong tradition of Indian Classical Music and has fully devoted his life to this music. Son of the sitarist and Guru Shri Rabindranath Lahiri, he grew up in an environment imbued with the fragrance of Hindustani music.
As a child, Shankh Lahiri received intensive training in both vocal and tabla from his father and went on to graduate with a Sangeet Visharad in both subjects. Currently Shankh, as he is known in the fraternity, is the senior disciple of world-renowned tabla maestro Pandit Nayan Ghosh.
He has accompanied and toured with many reputed and leading artists such as Pt. Jasraj, Ustad Shujaat Khan, Ustad Shahid Parvez, Pt. Arati Ankalikar, Nayan Ghosh (sitar), Pt. Mukul Shivputra, Shri Rakesh Chaurasia and many more.
Aside from his own performing career, Shankh teaches students in Florida through his own organization, Shruti School of Music and the non-profit Shruti Foundation in Tampa.
M.R. Venupuri Srinivas started as a child prodigy, playing kanjira when he was only one year and eight months old, in Tirupathi. He gave his first concert in All India Radio when he was merely three years old.
Srinivas learned mridangam under legends Ramanathapuram C.S. Murugaboopathi and Trivandrum Mahadeva Iyer. He studied in Madras Music College under Thanjavur Srinivasan obtaining his master degree with distinction and a gold medal. He is an “A” grade artist from the Indian National Radio (All India Radio). He was honored with the respectable asthana vidwan of Kanchi Kamakoti Peetam.
Venupuri Srinivas has accompanied renowned artists like M.S. Subbulakshmi, M.L. Vasanthakumari, Madurai Somasundaram, Dr. Balamuralikrishna, Veenai Balachander, T.K. Govinda Rao, Maharajapuram Santhanam, T.N. Seshagopalan, Ravi Kiran, U. Srinivas, Neyveli Santhanagopalan, Hydrabad Brothers, T.N. Krishnan, N. Ramani and many more acclaimed artists.
Srinivas is in a fusion group with Louis Banks, Shankar Mahadevan, and Shiva Mani. In addition to mridangam, he plays other percussion instruments such as kanjira, ghatam, thavil, tabla, dholak and western instruments. He also performs konnakol.
Srinivas lives in Tampa, Florida and directs an institution called Navarasa Academy of Performing Arts
Arun Ramamurthy is a multi-talented violinist who is making his mark in Indian Classical and World music. Trained in Carnatic (south Indian classical) music initially by the distinguished violinist Anantha Krishnan, and then later by the celebrated violin brothers, Dr. Mysore Manjunath & Sri Mysore Nagaraj, Arun has become one of the most in-demand violinists in the United States.
Arun performs traditional Carnatic and Hindustani music as well as fusion music.
Arun has performed with leading Indian Classical artists such as Padma Vibushan Dr. M. Balamuralikrishna, Padmabushan Sudha Ragunathan, Sri T.N. Seshagopalan, Pandit Anindo Chatterjee, Ustad Mashkoor Ali Khan, Subhankar Banerjee and more.
Abhik Mukherjee, born in Kolkata, is a sitar player of the Etawah-Imdadkhani gharana (school). He started his sitar training at the age of six by his father, Sri Tarit Mukherjee, and Sri Bimal Chatterjee, while at the same time receiving vocal instruction from Sri Kaylan Bose. He has since received training from Pandit Arvind Parikh and Pandit Kashinath Mukherjee, themselves disciples of the renowned Ustad Vilayat Khan.
Abhik Mukherjee is a gold medalist in musicology from Rabindra Bharati University, Kolkata, and has also received a scholarship from the Ministry of Culture, India.
Abhik’s first public concert was at the age of 9 at the Governor’s House, Kolkata. Since then, he has performed in ten countries on four continents.
Abhik currently lives in New York City and is a founding member of Brooklyn Raga Massive, an Indian classical music artists’ collective.
Waves of Emotion
Brooklyn Raga Massive Compilation Vol 1
Powwow step pioneers A Tribe Called Red has released a music video for its single “The Virus.” The videoclip features poet Saul Williams and Canadian drum group Chippewa Travellers. The video includes footage of the Dakota Access Pipeline protests.
The science fiction video is situated in 2047 on “Turtle Island,” a traditional Iroquois earth creation story; where the sky woman fell to a water submerged earth. Animals attempted to rebuild land but the muskrat was the most successful of all; moving dirt from the seabed onto the back of a turtle, re-creating our land.
The video was directed by Tunkasila, produced by DAIS & Mad Ruk, and written by Sol Guy, Ezra Miller and A Tribe Called Red member Bear Witness.
Dec 03 – Winnipeg, MB – The Garrick Centre
Dec 06 – Minneapolis, MN – Skyway Theatre
Dec 07 – Chicago, IL – Lincoln Hall
Dec 08 – London, ON – London Music Hall
Dec 09 -Toronto, ON – REBEL
Dec 14 – Kingston, ON – Stages Night Club
Dec 15 – Montreal, QC – Corona
Dec 16 – Peterborough, ON – The Red Dog
Fiddler Maarja Nuut is set to perform at Fredric March Play Circle Theater in Madison, Wisconsin on Saturday February 4, 2016.
Maarja Nuut is a fiddler, vocalist and composer and singer from northern Estonia, who combines traditional folk music influences with electronics.
Her first solo album, “Soolo,” was released in 2013 and put her on the world music map in Europe. Since then, she has performed at numerous events and festivals across Europe, including the influential WOMEX international world music showcase and conference in Spain and Eurosonic Noordeslag.
Her second album was released on June 3rd 2016, titled “Une meeles.”
Tickets are available online, by phone at 608-265-ARTS (2787) or in person.
Your Connection to traditional and contemporary World Music