Mulatu Astatke, The Remarkable Story Of Ethiopian Jazz

Vibraphone and keyboard player, master arranger and bandleader, Mulatu Astatke is one of the all-time greats of Ethiopian music and the creator of his own original music form, Ethio jazz. Through the acclaimed Ethiopiques album series and through featuring on the soundtrack to the Jim Jarmusch film Broken Flowers, his music has belatedly reached a global audience and a new, younger generation of fans. In November of last year, he recorded an inspired new album with London psych jazz band The Heliocentrics for Strut’s Inspiration Information studio collaboration series. Now, Strut are releasing, for the first time anywhere, the definitive Mulatu career retrospective covering his landmark ’60s and ’70s recordings in an album titled New York – Addis – London .

Mulatu is a true pioneer of African music. He was the first Ethiopian musician of his generation to travel extensively and to record abroad – he studied in the UK in Wales and at Trinity College Of Music in London, cutting his teeth on the buoyant London jazz scene of the early ’60s. He became the first African student to attend Harvard and he lived and recorded in New York, developing a unique sound that fused Western jazz with traditional Ethiopian melodies.

As Mulatu says, "it took a long time to get the balance, to let the colors and the feelings of the Ethiopian modes shine through." Returning to ‘Swinging Addis’ during the late ’60s, he became a pivotal figure, arranging for many of the country’s top vocalists and developing rich, dense textures in his own music during the final years of Selassie’s reign and the mid-’70s rule of the Derg Communist military junta.

Tracing the progression of his Ethio jazz experiments with full access to all of the labels for whom he recorded, Mulatu Astatke: New York-Addis-London is the essential Mulatu. Covering his first recordings in the UK during 1965, his groundbreaking fusions for the small Worthy label in New York and his key ’70s recordings back in Addis on Amha, Phillips and Axum, the album features comprehensive sleeve notes by Miles Cleret, boss of the excellent Soundway Records imprint, and rare, previously unseen photos from Mulatu’s personal archive.

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One thought on “Mulatu Astatke, The Remarkable Story Of Ethiopian Jazz”

  1. “Essential” is inaccurate. About 15% of the songs were ones I knew / recalled, others were fillers. Another 15% were song or artists I had never heard of — and I am a devoteee of the Rock music of this period. Review the ENTIRE list bfore you decide to buy! The remainder are, indeed, from the 70’s, but far, FAR from being “essential”.

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