Introduction to Ghazal

Westerners have become increasingly familiar with the classical music of India since it first became fashionable in the 1960s. But the Persian tradition, without a Beatles/Ravi Shankar collaboration to promote it, has remained a mystery, although it is becoming more recognized.Several centuries of Mogul rule in northern India left a strong imprint on Hindustani music: a result of the mysticism, poetry, and musical subtleties of the Persian language and culture.

The name Ghazal reflects that link: in the Persian tradition, a ghazal is a specific genre of poetry, characterized by an unusual blend of ecstatic spirituality and very earthy desires. In India, ghazal has evolved into a form of semi-classical music that remains popular to this day, and usually takes the form of a love ballad. In both cases, the imagery of the texts often obscures the difference between spiritual and physical love. Desire for a lover can be described in such exalted terms that it transcends the purely physical aspects of love. While these poems and ballads can be serious artistic and spiritual endeavors, they also reflect a sense of play – almost daring the audience to determine whether it’s really what it appears on the surface, and suggesting that spiritual and romantic love are two sides of the same coin.

(Excerpted from the liner notes by John Schaefer from “Moon Rise on the Silk Road” by the ensemble Ghazal. Courtesy of the World Music Institute)

Author: Angel Romero

Angel Romero y Ruiz has been writing about world music and progressive music for many years. He founded the websites worldmusiccentral.org and musicasdelmundo.com. Angel co-produced “Musica NA”, a music show for Televisión Española (TVE) in Spain that featured an eclectic mix of world music, fusion, electronica, new age and contemporary classical music. Angel also produced and remastered world music and electronic music albums, compilations and boxed sets for Alula Records, Ellipsis Arts, Music of the World, Lektronic Soundscapes, and Mindchild Records. He was also the executive producer of the first Latino feature film made in North Carolina titled “Los sueños de Angélica.”.

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